{"title":"At the Edge of Convergence Culture: Engaging in the Simpsons Cult","authors":"M. Fink","doi":"10.5117/9789462988316_ch05","DOIUrl":null,"url":null,"abstract":"One of the main reasons behind The Simpsons’ success was the series’\n conflation of fan sensibilities and mass appeal. This chapter traces the ways\n in which The Simpsons’ producers created a prime-time television franchise\n and merchandising empire that still managed to carry cult status for a\n devoted fan community. In this context, I discuss strategies of fan marketing,\n transmedia storytelling, audience interaction, and contested claims\n of intellectual property. Finally, the chapter examines instances where\n the interests and economies of The Simpsons’ producers and participatory\n culture have converged, as well those in which they have clashed.","PeriodicalId":147065,"journal":{"name":"Understanding The Simpsons","volume":"3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Understanding The Simpsons","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789462988316_ch05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
One of the main reasons behind The Simpsons’ success was the series’
conflation of fan sensibilities and mass appeal. This chapter traces the ways
in which The Simpsons’ producers created a prime-time television franchise
and merchandising empire that still managed to carry cult status for a
devoted fan community. In this context, I discuss strategies of fan marketing,
transmedia storytelling, audience interaction, and contested claims
of intellectual property. Finally, the chapter examines instances where
the interests and economies of The Simpsons’ producers and participatory
culture have converged, as well those in which they have clashed.