«Hagamos tabula rasa, si te parece». Políticas de localización y subjetividad nómade en Reina, de Elizabeth Duval

Daniela Fumis
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Abstract

Elizabeth Duval’s (Alcala de Henares, 2000) Reina (Caballo de Troya, 2020) is a powerfulintervention on the growing influx of first-person voices in current Spanish narrative. Theproposal of the present work supports as a hypothesis that the fictionalization of the self inReina works in order to problematize a crystallized public image. This problematization isproduced from the construction of a sustained self-configuration on a strategic nomadictriangulation, as a becoming-minor in three dimensions: sexual, generational and textual.In this sense, the transition from the first person to the second, in the figure of the “femalereader,” could finally be understood as an interrogation about the place of desire in thearticulation between literature and life.
“如果你愿意,让我们做一张白纸吧。”伊丽莎白·杜瓦尔的《雷纳的本土化政治与游牧主体性》
伊丽莎白·杜瓦尔的《阿尔卡拉·德·埃纳雷斯》(2000年)《雷纳》(卡巴洛·德·特罗亚,2020年)是对当前西班牙叙事中越来越多的第一人称声音的有力干预。本研究的建议支持了一个假设,即reina对自我的虚构化是为了使一个明确的公众形象出现问题。这种问题化产生于在战略性的游牧三角测量上构建一个持续的自我配置,在性、代际和文本三个维度上变得次要。从这个意义上说,从第一人称到第二人称的转变,在“女性领袖”的形象中,最终可以理解为对欲望在文学与生活之间的表达中的位置的拷问。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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