{"title":"Intertextual Agōnes in Archaic Greek Epic: Penelope vs. the Catalogue of Women","authors":"T. J. Nelson","doi":"10.1163/24688487-00501002","DOIUrl":null,"url":null,"abstract":"\n Archaic Greek epic exhibits a pervasive eristic intertextuality, repeatedly positioning its heroes and itself against pre-existing traditions. In this article, I focus on a specific case study from the Odyssey: Homer’s agonistic relationship with the Catalogue of Women tradition. Hesiodic-style catalogue poetry has long been recognized as an important intertext for the Nekyia of Odyssey 11, but here I explore a more sustained dialogue across the whole poem. Through an ongoing agōn that sets Odysseus’s wife against catalogic women, Homer establishes the pre-eminence of his heroine and—by extension—the supremacy of his own poem.","PeriodicalId":251958,"journal":{"name":"Yearbook of Ancient Greek Epic Online","volume":"111 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Yearbook of Ancient Greek Epic Online","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/24688487-00501002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Archaic Greek epic exhibits a pervasive eristic intertextuality, repeatedly positioning its heroes and itself against pre-existing traditions. In this article, I focus on a specific case study from the Odyssey: Homer’s agonistic relationship with the Catalogue of Women tradition. Hesiodic-style catalogue poetry has long been recognized as an important intertext for the Nekyia of Odyssey 11, but here I explore a more sustained dialogue across the whole poem. Through an ongoing agōn that sets Odysseus’s wife against catalogic women, Homer establishes the pre-eminence of his heroine and—by extension—the supremacy of his own poem.