The image of a rebel woman in the Czechoslovak New Wave based on the Daises by Věra Chytilová

Karolina Ziemka
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Abstract

Daises by Věra Chytilová is one of the most important films of the Czechoslovak New Wave, from which the image of a rebellious female figure emerges. Due to its complex nature, aesthetic and semantic diversity, this surreal image can be interpreted on many levels, often extremely different. It is both a criticism of consumerism and nihilism, and a feminist manifesto in the Central and Eastern European edition. The communism that dominated this area tended to institutionalize the inequalities between women and men. Due to the complexity of the problem and the multitude of possible interpretations, the film analysis is based on various methodologies oscillating between feminist criticism and Laura Mulvey’s reflections on the categories of corporeality, gender, and the masculinization of the viewer in narrative cinema.
捷克斯洛伐克新浪潮中叛逆女性的形象——以维拉·奇蒂洛夫的《雏菊》为蓝本
《雏菊》是捷克斯洛伐克新浪潮时期最重要的电影之一,它塑造了一个叛逆的女性形象。由于其复杂的性质,审美和语义的多样性,这种超现实的形象可以在许多层面上解释,往往是极端不同的。它既是对消费主义和虚无主义的批判,也是中东欧版的女权主义宣言。在这一地区占主导地位的共产主义倾向于将男女之间的不平等制度化。由于问题的复杂性和众多可能的解释,电影分析基于各种方法,在女权主义批评和劳拉·穆尔维对叙事电影中肉体、性别和观众男性化类别的反思之间摇摆不定。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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