A Mythic Reading of the Materialist Epiphany in Femi Osofisan’s Another Raft

Kingsley I. Ehiemua
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Abstract

This paper is a mythic reading of Another Raft written and published in 1988 by the Nigerian playwright, Femi Osofisan. The paper gives a materialist interpretation of the play and its mythic resources to illustrate Osofisan’s drama as a dispassionate critique of society. It observes that the playwright’s deployment of mythology in the play, and the play’s intertextual connection to an earlier one, The Raft (published 1964), by J. P. Clark, is revelatory. One problem any reader familiar with the two plays may find with understanding Osofisan’s version is the prominent use of supernatural beings as characters mingling with humans, which is nonexistent in the older play. This paper’s interpretation, therefore, reveals and affirms that the supernatural figures in the play are only creative metaphors deployed by the playwright to comment on the mundane social reality of the world outside the text. It also reveals that Osofisan’s response in Another Raft to Clark’s The Raft is to differ ideologically from the older play on the root causes of the decadence and sterility in Nigeria’s social and political space. Osofisan’s response demystifies the seemingly elusive solution to the cankerworms destroying the fabric of the nation. The paper concludes that Osofisan’s recourse to mythic and traditional elements is very helpful to his creative imagination and his effort to provide a panacea, through the theatre, to the obstacles impeding economic and political progress in postcolonial Nigerian society.
Femi Osofisan的《另一条木筏》中唯物主义顿悟的神话解读
本文是对尼日利亚剧作家Femi Osofisan于1988年撰写并出版的《Another Raft》的神话解读。本文从唯物主义的角度对这部戏剧及其神话资源进行解读,以说明奥索瓦桑的戏剧是对社会的冷静批判。它指出,剧作家在剧中对神话的运用,以及该剧与j.p.克拉克(J. P. Clark)的早期作品《木筏》(the Raft, 1964年出版)的互文联系,都具有启示性。熟悉这两部戏剧的读者在理解奥索维桑的版本时可能会发现一个问题,那就是突出地使用了超自然生物作为与人类混在一起的角色,这在老剧本中是不存在的。因此,本文的解读揭示并肯定了剧中的超自然人物只是剧作家用来评论文本之外世俗社会现实的创造性隐喻。这也揭示了Osofisan在《另一条木筏》中对Clark的《木筏》的回应在意识形态上不同于之前关于尼日利亚社会和政治空间的颓废和贫瘠的根源的剧本。Osofisan的回答揭开了这个看似难以捉摸的解决方案的神秘面纱。本文的结论是,Osofisan对神话和传统元素的求助非常有助于他的创造性想象力,以及他通过戏剧为阻碍后殖民时期尼日利亚社会经济和政治进步的障碍提供灵丹妙药的努力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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