Furtum Sacrilegum: The ‘Holy Heads’ of Peter and Paul and Their Reliquaries in the Lateran

D. Mondini
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Abstract

In what follows here, I shall be outlining the processes involved in the revaluation, ‘iconisation’ and ‘image loss’ associated with the Sacred Heads of Peter and Paul. The heads represent an important reliquary complex in the Lateran over a period of several centuries (the basis for the analysis is provided by an extensive range of treatises written by Christian antiquaries, including the main authors Soresini (1673) and Cancellieri (1806)). After a description of the lost late Gothic reliquaries, I shall go on to discuss a little-known, similarly lost fresco cycle in the north transept of the Lateran basilica, which commemorated a notorious event: the theft of several jewels from the reliquaries of Peter and Paul and the punishment assigned to the perpetrators. To anticipate the conclusion: the two half-length busts that can be seen today in the monumental late Gothic tabernacle above the main altar of Saint John Lateran, in ‘constant ostension’ (Figs 17.1 and 17.2), are only a modest replacement, dating from the early nineteenth century, for the formerly much more magnificent late Gothic bust reliquaries. These goldsmithing works, made to the highest standards, dated from a joint endowment by the French pope Urban V (Guillaume de Grimoard), who had brought the Curia back from Avignon to Rome for a short period in 1368 (Fig. 17.3). The king of
Furtum Sacrilegum:彼得和保罗的“圣头”和他们在拉特兰的圣髑箱
在接下来的内容中,我将概述与彼得和保罗圣头相关的重估,“偶像化”和“图像丢失”所涉及的过程。这些头像代表了拉特兰大教堂几个世纪以来的一个重要的圣物宝库(分析的基础是由基督教古物学家撰写的大量论文提供的,包括主要作者Soresini(1673)和Cancellieri(1806))。在描述了丢失的晚期哥特式圣物箱之后,我将继续讨论一个鲜为人知的,同样丢失的拉特兰大教堂北耳堂壁画循环,它纪念了一个臭名昭著的事件:从彼得和保罗的圣物箱中偷走了几件珠宝,并对肇事者进行了惩罚。提前得出结论:今天在圣约翰拉特兰主祭坛上方的纪念性晚期哥特式龛中可以看到的两个半长半身像,在“持续的展示”中(图17.1和17.2),只是一个中等的替代品,可以追溯到19世纪早期,以前更宏伟的晚期哥特式胸像圣物箱。这些以最高标准制作的金匠作品可以追溯到1368年法国教皇乌尔班五世(纪尧姆·德·格里莫)的联合捐赠,他曾在短时间内将教廷从阿维尼翁带回罗马(图17.3)。国王
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