Food Culture of Tomb of An-Ak No. 3 in Koguryo Dynasty

K. Koh
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引用次数: 1

Abstract

The aim of this study was to investigate food culture represented by the grain yard, water well, kitchen, and meat storage space which were depicted in the mural painting of An-Ak tomb No. 3. The mural paintings of An-Ak tomb No. 3 were compared with those of ancient Chinese tombs before the 4th century in order to understand their characteristics. Above all, the tomb murals describe the form and function of the stove (buttumak) as well as the cuisine using the cauldron (sot) and steamer (siru) in a very interesting manner. The meat storage space of An-Ak tomb No. 3 shows whole carcasses of animals such as roe deer, dog, and pig. However, Chinese murals show that while small animals such as soft-shelled turtle, fish, chicken, duck, pheasant, rabbit, etc. were stored as whole carcasses without being cut into pieces, large animals such as cows and pigs were slaughtered and each piece of their carcasses such as the head, thigh, meat loaf, and cardiopulmonary part was separately depicted. These tomb murals vividly describe the food culture of Koguryo and China before the 4th century.
高句丽安乐三号墓的饮食文化
本研究旨在探讨安乐3号墓壁画中以谷场、水井、厨房、储肉空间等为代表的饮食文化。将安乐3号墓壁画与4世纪以前的中国古代墓葬壁画进行比较,了解其特点。最重要的是,墓室壁画以一种非常有趣的方式描述了炉子(buttumak)的形式和功能,以及使用锅(sot)和蒸笼(siru)的菜肴。安乐3号墓的肉库中,陈列着鹿、狗、猪等动物的完整尸体。然而,中国壁画显示,小动物如甲鱼、鸡、鸭、野鸡、兔等都是整尸保存,不切成块,而大型动物如牛、猪等则被屠宰,头、大腿、肉块和心肺部分等每一块尸体都被分开描绘。这些墓室壁画生动地描述了4世纪以前高句丽和中国的饮食文化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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