‘We just want to make art’ – Women with experiences of racial othering reflect on art, activism and representation

Mehek Muftee, René León Rosales
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Abstract

In recent years, Swedish women belonging to a post-migrant generation have made their voices against racism and social inequality prominent within public debate. Engaging in segregated and economically deprived suburbs, these women make use of art in order to counter stereotypical narratives of themselves and their communities. Based on interviews from two research projects, Accessing Utopia and Gendered Islamophobia in Sweden, this article aims to understand the complexities in using art to protest racist structures and stereotypes. In what ways are the young women making room for their own creative expressions in Swedish society, while countering processes of othering? How does the work of representation affect them? What meaning do the women give to the platforms and networks they have been involved in? This article shows that the women’s early experiences of othering and meeting likeminded youths play a central role in order to either enter or create collective platforms where they can creatively engage in expressing their subjectivities and counter society’s controlling images. Projects and platforms such as Revolution Poetry and Swedish hijabis provided collective self-care through support and confidence building among youths from marginalized communities. These platforms can be seen as an artistic homeplace for the interlocutors. The article also shows that the work of representation is sometimes felt as limiting. The activism the women engage in is a deeply personal struggle for self-valuation and seeking ways to live a life on one’s own terms.
“我们只是想做艺术”——有种族歧视经历的女性反思艺术、行动主义和代表性
近年来,属于后移民一代的瑞典女性在公共辩论中突出地发出了反对种族主义和社会不平等的声音。这些妇女生活在种族隔离和经济贫困的郊区,她们利用艺术来对抗对她们自己和她们所在社区的刻板印象。本文基于两个研究项目的访谈,即访问乌托邦和瑞典的性别伊斯兰恐惧症,旨在了解使用艺术来抗议种族主义结构和刻板印象的复杂性。在瑞典社会中,年轻女性如何为自己的创造性表达创造空间,同时抵制他人的进程?代表的工作是如何影响他们的?这些女性对她们所参与的平台和网络有什么意义?这篇文章表明,女性早期的他人经历和与志同道合的年轻人的相遇在进入或创造集体平台方面发挥了核心作用,在这个平台上,她们可以创造性地表达自己的主体性,反对社会的控制形象。“革命诗歌”和“瑞典头巾”等项目和平台通过支持和建立边缘社区青年的信心,提供集体自我保健。这些平台可以被视为对话者的艺术家园。这篇文章还表明,代表的工作有时被认为是有限的。女性参与的激进主义是一场深刻的个人斗争,是为了自我评价和寻求按照自己的方式生活的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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