“An end to housekeeping”

C. Dougherty
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Abstract

This chapter offers a reading of Marilynne Robinson’s 1980 novel Housekeeping—the story of a transient woman, Sylvie, who returns home to take care of her recently orphaned nieces, Ruth and Lucille, and the novel raises important questions not just about life on the road, but also about the house and home that is left behind. Whereas the Odyssey maintains a perpetually idealized notion of Penelope and Odysseus as emblems of a like-minded merger of travel and home by deferring indefinitely the moment when the two actually live (or travel) together, in Housekeeping there is always an attempt to blur the divide between people who stay and people who go, one that is most clearly embodied in the character of Sylvie. Like Odysseus, who will one day leave home again and whose travels are also always returns, Sylvie’s travels keep taking her home; yet like Penelope as well, she keeps her family by her side. In particular, by taking men out of the picture, Robinson radically reorients the traditionally gendered relationship of travel to home that Homer’s Odyssey represents, and the novel prompts us to ask how women can reconcile family responsibilities with travel. Can the possibilities, rather than the constraints, of mobility help redefine what makes a house a home?
“家务管理的终结”
这一章是对玛丽莲·罗宾逊1980年出版的小说《管家》的阅读——故事讲述了一个流落街头的女人西尔维,她回家照顾她最近成为孤儿的侄女露丝和露西尔。小说不仅提出了关于旅途生活的重要问题,还提出了关于被遗弃的房子和家园的重要问题。《奥德赛》一直将佩内洛普和奥德修斯理想化,把他们作为旅行和家庭的象征,无限期地推迟两人实际生活(或旅行)在一起的时刻,而《家政》总是试图模糊留下和离开的人之间的界限,这一点在西尔维的角色中体现得最为明显。就像奥德修斯总有一天会再次离开家,他的旅行也总是会回来一样,西尔维的旅行总是把她带回家;但和佩内洛普一样,她把家人留在身边。特别是,通过把男人从画面中剔除,罗宾逊从根本上重新定位了荷马的《奥德赛》所代表的传统的回家旅行的性别关系,这部小说促使我们思考女性如何在旅行中协调家庭责任。流动性的可能性,而不是限制,能否帮助重新定义房子是什么?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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