An Introduction to the World of Tools (1969)

Ekuan Kenji, Frank Feltens
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Abstract

The word dōgu—tools—is utterly familiar to the Japanese. With every new era, this word has followed in our shadow and never ceased to be a part of us. When the bond between a parent and child is severed, when siblings become estranged and couples separate, tools still stand firmly at people’s sides. They transcend sorrow and joy and are just like the second hand of a watch that ticks away without pause. The history of tools, beginning with objects in clay and stone, can be said to constitute none other than human history itself. The history of tools, objects unable to speak for themselves, trails the history of mankind like a shadow; man and tools emerged on this earth together. When the shadow stops moving, human history comes to its end. The different kinds of tools lined up in museum galleries are reenactments of the drama of their times. They are human landmarks and the thumbprints of mankind. Tools are quiet at first glance, yet they are adamant and bind themselves to human life. This way, though lacking a mouth to speak, tools gain eloquence; without ears, they somehow listen; without eyes, they possess the power of observation; and, without feet, they seem to run. The variety and quantity of tools by far exceed those of living beings, and tools multiply year by year, time and time again. Just as the aspirations of man have no limits, the world of tools grows without bounds. The world of tools impacts human beings from the inside out, by reaching deep into our internal psyche, into our joys, fears, longings, and pleasure. In the process, otherwise invisible forces assume a range of shapes and materialize as features of human life. Individuals, families, societies, peoples, nations—there is no entity that is not impacted by tools: from binoculars and electron microscopes that vastly surpass human eyesight, to microphones that increase a voice’s volume; from bikes and cars that carry us faster than our legs, to axes, hoes, hammers, bulldozers, or presses that expedite the strength of arms, countless tools upsurge the capabilities of human individuals. Through tools, humans have also become aware of a hitherto hidden power. The concentrated force An Introduction to the World of Tools (1969) Ekuan Kenji
工具世界简介(1969)
dōgu-tools-is这个词对日本人来说非常熟悉。随着每一个新时代的到来,这个词一直跟随在我们的阴影下,永远是我们的一部分。当父母和孩子之间的联系被切断,当兄弟姐妹疏远,夫妻分开,工具仍然坚定地站在人们的身边。他们超越了悲伤和快乐,就像手表的秒针一样,不停地滴答作响。从粘土和石头开始的工具的历史可以说是构成了人类历史本身。工具的历史,不能为自己说话的物体,像影子一样尾随着人类的历史;人和工具一起出现在地球上。当影子停止移动时,人类历史就走到了尽头。博物馆画廊里排列的各种工具是他们那个时代戏剧的重演。它们是人类的标志,是人类的指纹。工具乍一看是安静的,但它们是坚定的,并将自己与人类生活联系在一起。这样,虽然没有说话的嘴,却能获得口才;虽然没有耳朵,他们还是能听;没有眼睛,他们有观察的能力;虽然没有脚,它们似乎还能跑。到目前为止,工具的种类和数量远远超过了生物,而且工具年复一年、一次又一次地增加。正如人类的愿望没有止境一样,工具的世界也在无限发展。工具的世界从内到外影响着人类,深入到我们的内心深处,进入我们的快乐、恐惧、渴望和快乐。在这个过程中,原本看不见的力量呈现出一系列的形状,并成为人类生活的特征。个人、家庭、社会、民族、国家——没有一个实体不受工具的影响:从远远超过人类视力的双筒望远镜和电子显微镜,到提高声音音量的麦克风;从能让我们跑得比腿还快的自行车和汽车,到能增强手臂力量的斧头、锄头、锤子、推土机或压力机,无数的工具都提高了人类个人的能力。通过工具,人类也意识到了一种迄今为止隐藏的力量。集中的力量——工具世界导论(1969)Ekuan Kenji
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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