Speculative Fiction, Biocapitalism and Being Tentacular: Reading the MaddAddam trilogy as Posthuman Saga

Swagata Ray
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引用次数: 1

Abstract

This paper focuses on the posthuman ideas that are ingrained within the narrative of Margaret Atwood’s MaddAddam trilogy. The paper will identify various philosophical challenges posed by biocapitalism and a hyperhumanist ideology, while tracing the counter narrative through the critical framework of resistance provided by the critical humanist school of thought in particular. By reading into the writings of K Sundar Rajan and Nicholas Rose, the paper dwells on the issue of biocapital and its commodification of life, and also attempts to read an interventionist politics into the idea of bio-power which Mitchel Foucault posits. It also tries to provide an antithesis to the capitalocene and its subsidiary biocapitalism through an understanding of Donna Haraway’s concepts of critter and chuthulucene.
投机小说、生物资本主义和触手:将疯狂亚当三部曲解读为后人类传奇
本文主要探讨玛格丽特·阿特伍德的《疯狂亚当》三部曲中根深蒂固的后人类思想。本文将确定生物资本主义和超人道主义意识形态带来的各种哲学挑战,同时通过批判人文主义思想流派提供的批判性抵抗框架来追踪反叙事。通过阅读桑达尔·拉詹和尼古拉斯·罗斯的著作,本文探讨了生物资本及其生命商品化的问题,并试图将干预主义政治解读为米切尔·福柯所提出的生物动力的概念。本文还试图通过对Donna Haraway的“小动物”和“chuthulucene”概念的理解,为资本新世及其附属的生物资本主义提供一个对立面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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