Reiterating the Message in Graffiti Art

Sorin Constantin Semenov
{"title":"Reiterating the Message in Graffiti Art","authors":"Sorin Constantin Semenov","doi":"10.2478/9788366675193-029","DOIUrl":null,"url":null,"abstract":"The term Graffiti comes from the Latin being the plural of the verb graffiare (to scratch), it reminds of the way in which the Roman or Greek \"vandals\" recorded their political beliefs, love statements or even simple protests, on the walls of buildings. This practice is of course common in other civilizations, with more or less the same goal. Printing a text using colored spays and repeating it in a contemporary context, acquires an independent force. The association of casual letters, that seem to be accidental and implicitly their obsessive repetition have an exponential visual impact, but at the same time they contribute decisively to the general ensemble of the public space. Graffiti Art does not require the permission of civil society or the authorities, it is not associated with an ideology or belief but impregnates in the public consciousness a suite of characters that over time become part of it.","PeriodicalId":410365,"journal":{"name":"Art and Research – Contemporary Challenges","volume":"75 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art and Research – Contemporary Challenges","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2478/9788366675193-029","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The term Graffiti comes from the Latin being the plural of the verb graffiare (to scratch), it reminds of the way in which the Roman or Greek "vandals" recorded their political beliefs, love statements or even simple protests, on the walls of buildings. This practice is of course common in other civilizations, with more or less the same goal. Printing a text using colored spays and repeating it in a contemporary context, acquires an independent force. The association of casual letters, that seem to be accidental and implicitly their obsessive repetition have an exponential visual impact, but at the same time they contribute decisively to the general ensemble of the public space. Graffiti Art does not require the permission of civil society or the authorities, it is not associated with an ideology or belief but impregnates in the public consciousness a suite of characters that over time become part of it.
重申涂鸦艺术中的信息
“涂鸦”一词来自拉丁语,是动词graffiare(涂鸦)的复数形式,它让人想起罗马或希腊的“破坏者”在建筑物的墙上记录他们的政治信仰、爱情宣言甚至是简单的抗议活动的方式。这种做法在其他文明中当然是常见的,或多或少都有相同的目标。用彩色喷墨印刷文本并在当代语境中重复,获得了一种独立的力量。随意字母的联想,似乎是偶然的,隐含着它们的强迫性重复,具有指数级的视觉影响,但同时它们对公共空间的总体整体做出了决定性的贡献。涂鸦艺术不需要公民社会或当局的许可,它与意识形态或信仰无关,而是在公众意识中灌输了一套性格,随着时间的推移,这些性格成为了公众意识的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信