Hollywood Interpretative Overview on Communism: An Analysis of Pre, During & Post-Cold War Era

Abida Noureen, Tanveer Hussain, Haseeb ur Rehman Warrich
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Abstract

The US communist or socialist fright began in the late 1800s, the moment when blue-collar workers stood up in opposition to get their fundamental integrity, remuneration betterment etc., and the attainment of such integrities from intercontinental supremacies, and to have remained in opposition to such economical way of mechanism. The fears of communism and their followers of anti-harmony to US community were seen among the structural class systems of ethnic interconnectedness. The elementary struggle is related to the portrayal of Communism and their followers in Hollywood productions. It relates to exacerbating negatively frame about their ideological depictions, communist countries and the individuals interlinked with it.
好莱坞对共产主义的解释性概述:冷战前、冷战中、冷战后的分析
美国的共产主义或社会主义恐慌始于19世纪末,当时蓝领工人站起来反对自己的基本尊严、薪酬改善等,并从洲际霸权中获得这种尊严,并一直反对这种经济机制。对共产主义的恐惧及其追随者对美国社会的反和谐,体现在种族相互联系的结构性阶级体系中。这场基本的斗争与好莱坞电影中对共产主义及其追随者的刻画有关。这与他们的意识形态描述、共产主义国家和与之相关的个人的负面框架加剧有关。
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