Tricks of the Trade

Colleen Lucey
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Abstract

This chapter moves to the image of the elite prostitute, the demimondaine (dama polusveta). Unlike her corollary working in the brothel, the demimondaine freely moved about the city space and blended in with women of the cultural elite. A lady “between worlds,” the demimondaine occupied a precarious position in imperial Russia. More selective than a brothel worker and unlike the kept woman who settled with one lover, the demimondaine confused sexual and social boundaries by appropriating the behaviors, pastimes, and clothing of the elite. The source texts for the chapter include the numerous representations of elite prostitutes in print by the day's leading lithographers as well as depictions in famous paintings by Ilia Repin (A Parisian Café, 1875) and Ivan Kramskoi (Unknown Woman, 1883). These works codified the new behaviors of demimondaines as part of an emerging leisure culture modeled on European trends.
行业诀窍
这一章转到精英妓女的形象,demimondaine (dama polusveta)。与她在妓院工作的必然结果不同,demimondaine在城市空间自由移动,融入文化精英女性。作为“两个世界之间”的女人,这个女人在俄罗斯帝国的地位岌岌可危。demimondaine比妓院工作人员更挑剔,也不像那些只和一个情人在一起的妓女,她们通过挪用精英的行为、娱乐和服装,混淆了性和社会界限。本章的原始文本包括当时领先的平版印刷商印刷的众多精英妓女的代表,以及伊利亚·列宾(巴黎咖啡馆,1875年)和伊万·克拉姆斯科伊(未知的女人,1883年)的著名画作中的描绘。这些作品将女妖的新行为编入法典,作为模仿欧洲趋势的新兴休闲文化的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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