7. ‘Farfetched’

C. Wixson
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Abstract

‘Farfetched’ focuses on the end of George Bernard Shaw’s life and his own sense of his legacy. In crafting the title of the 1948 allegorical digest of his beliefs Farfetched Fables, Shaw selects the adjective ‘farfetched’ to describe the breadth of its mythic vision. The word is equally apt when applied to Shaw’s longevity, the scale of his thinking, and the extended, sustained reach of his writing. Alongside other attempts in his final years to encapsulate the Shavian sensibility, Sixteen Self Sketches (1949) indicates his investment in shaping how he would be remembered. Shaw’s relationship to posterity is reflected in his extended engagement with William Shakespeare’s work, particularly in Shakes versus Shav (1949).
《牵强附会》聚焦于萧伯纳生命的终结,以及他对自己遗产的感受。在为1948年出版的《牵强寓言》(far牵强的寓言)的寓意摘要命名时,萧伯纳选择了形容词“牵强的”来描述其神话视野的广度。这个词同样适用于萧伯纳的长寿,他的思想的规模,以及他的作品的延伸,持续影响。在他生命的最后几年里,除了其他一些浓缩了萧伯纳式情感的尝试外,《十六幅自画像》(1949)表明了他在塑造人们对他的印象方面的投入。萧伯纳与子孙后代的关系反映在他对威廉·莎士比亚作品的广泛参与上,尤其是在1949年出版的《沙克与沙夫》中。
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