Gli «oscuri turiboli» del simbolo. Penna e d’Annunzio

R. Deidier
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Abstract

In the interpretation of his trained readers Sandro Penna has been the object of a great misunderstanding. For a long time his relationship with the greatest poetical works of his time has been hidden; it happened the same with the authors he could read during a long training. The most recent studies about Penna’s intertextuality focused on citations, limiting themselves to compiling a register, without considering the long duration of international cultural processes to which Penna himself refers. The name of Gabriele d’Annunzio is that of a certain actor among these processes, dealing above all with the poetics of symbol.
这个符号的“黑色turiboli”。彭纳和邓南遮
在他训练有素的读者的解读中,桑德罗·佩纳一直是一个巨大误解的对象。长期以来,他与他那个时代最伟大的诗歌作品的关系一直被隐藏;在长时间的训练中,他能读懂的作家的作品也发生了同样的情况。最近关于Penna互文性的研究集中在引文上,局限于汇编一个记录,而没有考虑到Penna本人所提到的国际文化进程的长期持续。加布里埃尔·达南齐奥的名字是这些过程中的一个角色,首先是处理象征的诗学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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