Maps and Legends: Patterns of Go Down, Moses in The Road

Scott Yarbrough
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Abstract

abstract:One of the central questions tasking any reader of Cormac McCarthy’s 2006 Pulitzer Prize–winning novel The Road is just what, in the final analysis, is supposed to be our estimation of the father? Is he mostly a moral character, utterly committed to his boy and to providing a foundation for goodness? Is he a competent character, and what we are to make of his travels with his son and their ethical clashes? Is the father right in his pragmatism or is the son right in idealism? Has the father learned the rules of the fallen world sufficiently? Or does he still cling to the past? These questions and others are answered through a thorough examination of the many parallel elements in one of William Faulkner’s greatest accomplishments, his novella “The Bear” and the collection it was published within, Go Down, Moses (1942).
地图和传说:模式下,摩西在路上
科马克·麦卡锡(Cormac McCarthy) 2006年普利策奖获奖小说《路》(the Road)的读者所面临的一个核心问题是,归根结底,我们应该如何评价父亲?他主要是一个有道德的人,完全忠于他的儿子,并为善良提供基础吗?他是一个称职的角色吗?我们该如何看待他和儿子的旅行以及他们之间的道德冲突?是父亲的实用主义正确,还是儿子的理想主义正确?父亲是否充分了解了堕落世界的规则?还是他还执着于过去?通过对威廉·福克纳(William Faulkner)最伟大的成就之一的中篇小说《熊》(the Bear)及其出版的小说集《下去吧,摩西》(Go Down, Moses, 1942)中许多相似元素的深入研究,这些问题和其他问题都得到了回答。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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