Social Oppression and American Cultural Imperialism: The Crisis of the Muslim Minority Groups’ Identity in Terrorist by John Updike

Saif Raed Nafia Fakhrulddin, Ida Baizura Bahar
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引用次数: 1

Abstract

Terrorist (2006) by John Updike has been classified within the post-9/11 novel genre where many American authors depict their counter-narratives to the horrific event of 9/11. The novel revolves around the life of a young teenager named Ahmad and his religious mentor, Shaikh Rashid, who are accused as terrorists. This study problematises the issue of the identity of Muslim characters in facing oppression using the concept of cultural imperialism by Iris Marion Young (1990), focussing on the social treatment of Muslim minority characters in America perceived as inferior to the entire American cultural mainstream. The objective of this study then is to examine the author’s depictions of the American society as the cultural imperialism persecuting Muslim characters. The findings highlight the Muslim characters’ inability to emulate the prevailing American cultural imperialism which oppresses them. As such, the study’s originality lies in the interpretation of the aversive affinity between Muslim minority groups and American cultural imperialism from a social perspective. Thus, the social aspects of social oppression and the American cultural imperialism will be the core of the study’s novelty regarding the view of Muslims in America in the years ensuing the events of 9/11.
社会压迫与美国文化帝国主义:穆斯林少数民族在恐怖主义中的认同危机
约翰·厄普代克的《恐怖分子》(2006)被归类为后9/11小说类型,许多美国作家在这一类型中描述了他们对9/11恐怖事件的反叙事。小说围绕着一个名叫艾哈迈德的少年和他的宗教导师谢赫·拉希德的生活展开,他们被指控为恐怖分子。本研究使用Iris Marion Young(1990)的文化帝国主义概念,对穆斯林角色在面对压迫时的身份问题进行了质疑,重点关注美国穆斯林少数民族角色被视为低于整个美国主流文化的社会待遇。本研究的目的是考察作者对美国社会作为迫害穆斯林角色的文化帝国主义的描述。调查结果强调了穆斯林角色无法模仿盛行的压迫他们的美国文化帝国主义。因此,该研究的独创性在于从社会角度解释了穆斯林少数群体与美国文化帝国主义之间的厌恶关系。因此,社会压迫和美国文化帝国主义的社会方面将是该研究在9/11事件之后的几年里对美国穆斯林看法的新颖性的核心。
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