CHAPTER 4 Ideas of Open Form and Closure in Prose Poetry

P. Hetherington, C. Atherton
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Abstract

This chapter focuses on ideas of open form and closure in prose poetry. While lineated lyric poetry is typically highly suggestive and open to various interpretations, it simultaneously tends toward conveying a sense of formal resolution and closure. The attention to formal elements in lineated lyric poetry, including the beginnings and endings of lines and the opening and closing of works, is very different from other kinds of less formalized writing — including prose poetry, where sentences are drawn together in paragraphs rather than separated. Prose poetry refuses lineated poetry's rhythmic closure even as it visually preempts its conclusion in the capacious white space that follows the last sentence of the paragraph. In other words, openness and closure are likely to be manifested very differently in lineated poems compared to prose poems. Prose poems have their own integrity as works, but their sense of completeness turns on their appeal to incompleteness in the same way as the literary fragment. Structurally, prose poetry's use of the sentence rather than the line as its unit of composition allows the poet to engage in “narrative digression.”
第四章散文诗的开放性与封闭性思想
本章主要探讨散文诗的开放形式和封闭思想。虽然有线条的抒情诗通常是高度暗示性的,对各种解释都是开放的,但它同时也倾向于传达一种正式的解决和结束感。在有线条的抒情诗中,对形式元素的关注,包括诗句的开头和结尾,以及作品的开头和结尾,与其他形式不那么正式的写作——包括散文诗——有很大的不同,散文诗中的句子是在段落中组成的,而不是分开的。散文诗拒绝线条诗的节奏结尾,即使它在视觉上抢先在段落最后一句后面的宽敞的空白中得出结论。换句话说,与散文诗相比,线条诗的开放性和封闭性可能表现得非常不同。散文诗作为作品有其自身的完整性,但其完整感与文学片段一样,转向了对不完整性的诉求。在结构上,散文诗使用句子而不是行作为其组成单位,这使得诗人能够进行“叙事离题”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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