Teachers’ beliefs at German music schools a “messy construct” in a grounded theory study

Y. Park
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引用次数: 0

Abstract

Teachers at music schools in Germany are confronted with very complex demands in their profession, ranging from artistic experience in various genres to pedagogical skills in the context of both broad-based and top-level promotion, as well as different age groups. It is not uncommon for certain tensions to arise when teachers try to meet all these requirements at the same time. Under such conditions, how do they define quality of instrumental and vocal tuition? As this is a matter of a still relatively young field of empirical research in Germany, such a basic and relevant research question has not yet been addressed. It is explored in my doctoral research project 2, which is an empirical study based on interviews with teachers at music schools in Germany3. The concept of teachers’ beliefs forms the theoretical framework and the data collected is analysed using Grounded Theory methodology. On the way towards developing a theory, it becomes apparent that educational quality from the teachers’ point of view is much more difficult to identify than expected. Therefore, it seems necessary to broaden the research question. This paper illustrates the processuality of my research with a focus on the methodological approach.
德国音乐学校教师的信仰是一种“混乱的结构”
德国音乐学校的教师在他们的职业中面临着非常复杂的需求,从各种类型的艺术经验到广泛和顶级推广背景下的教学技能,以及不同年龄段的教师。当教师试图同时满足所有这些要求时,出现某些紧张局势并不罕见。在这种情况下,他们如何定义器乐和声乐教学的质量?由于这在德国还是一个比较年轻的实证研究领域,所以这样一个基础的和相关的研究问题还没有得到解决。这在我的博士研究项目2中得到了探索,这是一项基于对德国音乐学校教师访谈的实证研究。教师信念的概念形成了理论框架,收集的数据使用扎根理论方法进行分析。在发展理论的过程中,很明显,从教师的角度来确定教育质量比预期的要困难得多。因此,似乎有必要拓宽研究问题。本文阐述了我的研究过程,重点是方法论方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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