The Ambitious Young Woman and the Contemporary British Sports Film

Assuming Gender Pub Date : 1900-01-01 DOI:10.18573/ipics.73
S. Hill
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引用次数: 1

Abstract

This article explores how the figure of the ambitious young woman is mediated within contemporary female-centred British sports films. The article begins by briefly outlining the relationship between postfeminism and neoliberalism and highlights the relevance of these discourses to contemporary female-centred sports films. It then goes on to explore how postfeminist, neoliberal values are mediated in the construction of the ambitious young woman through an analysis of the British film Chalet Girl (2011), using both textual analysis and analysis of the film’s extra-cinematic materials. The analysis emphasises the importance of national context within postfeminist and neoliberal discourses, highlighting in particular the significance of the film’s depictions of specifically British class hierarchies. The findings of the article demonstrate how, while Chalet Girl emphasises class binaries, the film ultimately upholds the neoliberal myth that (class) barriers can be overcome through determination, hard work and the right choices
《雄心勃勃的年轻女子》与当代英国体育电影
本文探讨了在当代以女性为中心的英国体育电影中,雄心勃勃的年轻女性形象是如何被调解的。本文首先简要概述了后女权主义和新自由主义之间的关系,并强调了这些话语与当代以女性为中心的体育电影的相关性。然后,通过对英国电影《小木屋女孩》(2011)的分析,运用文本分析和电影外材料分析,探讨后女权主义、新自由主义价值观是如何在雄心勃勃的年轻女性的建构中得到调解的。分析强调了后女权主义和新自由主义话语中国家背景的重要性,特别强调了电影对英国阶级等级的描述的重要性。文章的发现表明,尽管《小屋女孩》强调了阶级的二元性,但这部电影最终坚持了新自由主义的神话,即(阶级)障碍可以通过决心、努力工作和正确的选择来克服
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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