Hidden Markov model for automatic transcription of MIDI signals

Haruto Takeda, N. Saito, Tomoshi Otsuki, M. Nakai, H. Shimodaira, S. Sagayama
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引用次数: 27

Abstract

This paper describes a Hidden Markov Model (HMM)-based method of automatic transcription of MIDI (Musical Instrument Digital Interface) signals of performed music. The problem is formulated as recognition of a given sequence of fluctuating note durations to find the most likely intended note sequence utilizing the modern continuous speech recognition technique. Combining a stochastic model of deviating note durations and a stochastic grammar representing possible sequences of notes, the maximum likelihood estimate of the note sequence is searched in terms of Viterbi algorithm. The same principle is successfully applied to a joint problem of bar line allocation, time measure recognition, and tempo estimation. Finally, durations of consecutive /spl eta/n notes are combined to form a "rhythm vector" representing tempo-free relative durations of the notes and treated in the same framework. Significant improvements compared with conventional "quantization" techniques are shown.
MIDI信号自动转录的隐马尔可夫模型
提出了一种基于隐马尔可夫模型(HMM)的演奏音乐MIDI (Musical Instrument Digital Interface)信号自动转录方法。该问题被表述为利用现代连续语音识别技术对给定的波动音符持续时间序列进行识别,以找到最可能的预期音符序列。结合偏离音符持续时间的随机模型和表示可能音符序列的随机语法,根据Viterbi算法搜索音符序列的最大似然估计。同样的原理成功地应用于棒材线分配、时间测量识别和速度估计的联合问题。最后,将连续/spl eta/n音符的持续时间组合成一个“节奏向量”,表示音符的无节奏相对持续时间,并在相同的框架中进行处理。与传统的“量化”技术相比,显示了显著的改进。
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