Space___Between: Remnants of a city as catalysts for change

Juan Carlos Calanchini González Cos
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引用次数: 1

Abstract

It all starts with a question… Or perhaps too many. What can be done with the remnants of any given city? Can they be transformed to create a shared, cohesive, and productive urban environment? Understanding that the city is an unfinished, ever-productive, ever-dynamic and ever-changing project, it cannot be ignored that, while transforming specific zones in a city, other zones get abandoned in the developing process for an undefined period of time. These urban slivers are often seen as negative spaces rather than positive ones; I will focus on the important indeterminacy and uncertainty that they possess. This research project will centre on these unoccupied, abandoned, or underutilized places within the city, analysing different dynamics of reintegration into the city’s fabric while incorporating Michael Foucault’s heterotopias, as well as some case studies in Gordon Matta-Clark’s œuvre to the discourse. Specifically, I argue that terrain vagues , a term first coined by Ignasi de Solà-Morales i Rubió, and related terms should be seen as site-specific tools for critique and creativity. In order to positively take over any urban void, I address the issue of property, social attachment, and identity to the place, intertwined with the dynamics of architecture and urbanism. I propose to incorporate the concepts of memory and time inherent to these dynamics in order to develop a profound reading of any given site; generate a reinterpretation that can trigger a longstanding change to attain the reinstatement of public property with creative and straightforward approaches; and, then, perform a temporal or permanent, architectonic or artistic intervention, aiming for a new sense of social meaning. In conclusion, this paper sheds new light on the necessity to embrace the opportunities provided by these urban voids. Art and architecture can act as key elements to link people and spaces within a sociocultural context and thus create catalysts for change endowed with meaning.
空间之间:作为变革催化剂的城市遗迹
这一切都始于一个问题,或者可能是太多的问题。对于任何一个城市的遗迹,我们能做些什么呢?它们能否被改造成一个共享的、有凝聚力的、富有成效的城市环境?理解城市是一个未完成的、不断生产的、不断动态的、不断变化的项目,我们不能忽视的是,在改变城市中特定区域的同时,其他区域在发展过程中被遗弃了一段不确定的时间。这些城市分割线通常被视为消极空间,而不是积极空间;我将着重于它们所具有的重要的不确定性和不确定性。本研究项目将以城市中这些无人居住、被遗弃或未充分利用的地方为中心,分析重新融入城市结构的不同动态,同时结合迈克尔·福柯的异托邦,以及戈登·马塔-克拉克的œuvre中的一些案例研究。具体来说,我认为地形模糊(这个术语首先由Ignasi de Solà-Morales I Rubió创造)和相关术语应该被视为批判和创造的特定于地点的工具。为了积极地接管任何城市空间,我解决了财产、社会依恋和对这个地方的认同问题,这些问题与建筑和城市主义的动态交织在一起。我建议将这些动态中固有的记忆和时间概念结合起来,以便对任何给定的地点进行深刻的阅读;产生一个重新解释,可以触发一个长期的变化,以创造性和直接的方法实现公共财产的恢复;然后,进行暂时或永久的,建筑或艺术的干预,旨在获得新的社会意义。总之,本文揭示了拥抱这些城市空间提供的机会的必要性。艺术和建筑可以作为连接社会文化背景下的人和空间的关键元素,从而创造具有意义的变革催化剂。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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