The identity of Kelantan peranakan Chinese through clothing: An aesthetic morphology approach

Hanisa Hassan, N. Abdillah, Mohd Izani Mohd Zain, S. N. Apandi, Nik Aisyah Nik Muhammad
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Abstract

The term, ‘peranakan’ refers to a community that traces its lineage to the first waves of Hoklo (Han Chinese) settlers who interacted, especially through marriage, with the local people of the Malay Peninsula and Indonesian Archipelago. There are various types of the Peranakans in Malaysia such as the Baba-Nyonya, Chitty, Kristang (mostly in Melaka) and other Peranakan Muslims of Indian, Malay and Arab descent known as Jawi Peranakan. The Kelantan Peranakan Chinese (also known as Cina Peranakan Kelantan in Malay) is another unique ethnic group of Peranakans characterised by its mixture of three cultures: the local Malay of Kelantan, Chinese and Thai. However, this acculturated ethnicity seems to be less appreciated by the younger generation of the Kelantan Peranakan Chinese. One of the reasons is perhaps due to a general perception of the Kelantanese people that label them as cina kampung or cina bukit. To the older generation of the Kelantan Peranakan Chinese, they are proud to be called cina kampung whereas the younger generation may view this term as derogatory, implying that they are not advanced or modern people. The dwindling sense of pride among the younger generation may have resulted in the dying culture of the Kelantan Peranakan Chinese. A diluting image in their cultural artefacts is a case in point. Clothing, which is one of the important cultural artefacts, is gradually forgotten by the younger generation. Modern clothing is more appealing to them compared to the simplicity of clothing worn by their elder folks in the kampung (village). This study is aimed at examining the clothing of the Kelantan Peranakan Chinese, particularly, by studying its components of design elements using the aesthetic morphology approach. The formalistic aspect of the clothing, for instance, the ubiquitous paired blouse and sarong are a reflection of three cultural amalgamation of Malay, Chinese and Thai. The aesthetic aspect is also shown through their humble way of clothing hence symbolising a simple way of life of the community of Kelantan Peranakan Chinese. The finding thus concludes that the form and style of clothing worn by the Kelantan Peranakan Chinese is distinctive from other Peranakans in different states of Malaysia.
从服饰看吉兰丹土生华人的身份认同:美学形态学的方法
peranakan这个词指的是一个社区,它的血统可以追溯到第一批朝鲜人(汉族)定居者,他们与马来半岛和印度尼西亚群岛的当地人交往,特别是通过婚姻。马来西亚有各种类型的土生华人,如巴巴-娘惹,奇蒂,克里斯坦(主要在马六甲)和其他土生华人穆斯林,马来人和阿拉伯后裔,被称为爪哇土生华人。吉兰丹土生华人(在马来语中也被称为Cina Peranakan Kelantan)是另一个独特的土生华人族群,其特点是混合了三种文化:吉兰丹当地马来人、华人和泰国人。然而,吉兰丹土生华人的年轻一代似乎不太欣赏这种被文化同化的种族。其中一个原因可能是由于吉兰丹人普遍认为他们是中国甘榜或中国武吉。对于老一代的吉兰丹土生华人来说,他们以被称为“中国甘榜”而自豪,而年轻一代可能会认为这个词是贬义词,暗示他们不是先进或现代的人。年轻一代的自豪感下降可能导致了吉兰丹土生华人文化的消亡。他们的文化制品中的稀释形象就是一个很好的例子。服装作为重要的文物之一,正逐渐被年轻一代所遗忘。与他们在甘榜(kampung)的长辈们穿着的简单服装相比,现代服装对他们更有吸引力。本研究旨在研究吉兰丹土生华人的服装,特别是通过使用美学形态学方法研究其设计元素的组成部分。服装的形式主义方面,例如,随处可见的衬衫和纱笼,反映了马来、中国和泰国三种文化的融合。他们朴素的衣着也体现了审美方面,因此象征着吉兰丹土生华人社区的简单生活方式。因此,这一发现得出结论,吉兰丹土生华人的服装形式和风格与马来西亚不同州的其他土生华人不同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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