METHODICAL PREREQUISITES FOR TRAINING MUSIC TEACHERS TO TEACH ART TO PUPILS

Yue Ying
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Abstract

The purpose of the article is to analyze the requirements of general school education regarding the education of art students as determinants of the professional future music teacher methodical training. Scientific sources of Ukrainian and Chinese art pedagogy were involved in the theoretical analysis. The analysis was carried out in the context of identifying the potential of the achievements of Ukrainian artistic pedagogy and science for their possible introduction into the Chinese music and music-pedagogical education system, which is currently being integrated into the world's cultural process. The methods of theoretical analysis are used to determine the essence of the fundamental definition of the music teacher's readiness to teach art students, comparing the positions of scientists to reveal the essence of the requirements for the complex of methodical training of music teachers in Ukraine and China. The analysis of music teacher training requirements in the Ukrainian education system is based on the conceptual ideas of the New Ukrainian School. The differences in the ways of musical and pedagogical education formation in China in the context of historical and cultural processes and national specificities are shown. The joint determinant of the successful teacher-musician's professional activity in the direction of integrative art education of pupils is formulated. It is multi-artistic readiness centered on musical art and systematically encompasses other types of art in practical creativity. The qualities of a music teacher, which are aimed at successful professional activity, are described: as universal, musical and professional (professional musicianship and music-pedagogical), and personal. The content structure of teacher-musician training in teaching art to pupils has been specified, which includes artistic-reflective, artistic-empathic, motivational-value, artistic-active, and artistic-communicative components. Emphasis is placed on increasing the requirements for the spiritual and personal development of the music teacher in the regulatory documents and practice of Chinese music-pedagogical education.
训练音乐教师向学生教授艺术的有条不紊的先决条件
本文的目的是分析普通学校教育对艺术学生教育的要求,作为专业未来音乐教师系统培养的决定因素。对乌克兰和中国艺术教育学的科学来源进行了理论分析。该分析是在确定乌克兰艺术教育学和科学成就的潜力的背景下进行的,这些成就可能被引入中国音乐和音乐教学教育系统,该系统目前正在融入世界文化进程。运用理论分析的方法,确定了音乐教师对艺术类学生教学准备的基本定义的本质,比较了科学家的立场,揭示了乌克兰和中国音乐教师系统培训复杂性的本质要求。对乌克兰教育体系中音乐教师培训需求的分析是基于新乌克兰学派的概念思想。在历史文化进程和民族特色的背景下,展示了中国音乐教育和教学教育形成方式的差异。阐述了在学生综合艺术教育方向上成功的音乐教师专业活动的共同决定因素。它是以音乐艺术为中心的多艺术准备,在实践创造中系统地包含了其他类型的艺术。音乐教师的素质,其目标是成功的专业活动,被描述为:普遍,音乐和专业(专业音乐和音乐教学),和个人。在向学生教授艺术的过程中,教师音乐家培训的内容结构已经明确,其中包括艺术反思、艺术移情、动机价值、艺术积极和艺术交流的组成部分。中国音乐教育规范性文件和实践强调提高音乐教师精神和个人发展的要求。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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