Climate and History in the Anthropocene: Realist Narrative and the Framing of Time

A. Johns‐Putra
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Abstract

This chapter is prompted by recent calls by historians and other scholars for new understandings of history in the Anthropocene; it asks what this might mean for literary realism, invested as it is in the depiction of the passing of time. History in the Anthropocene renders redundant the human-historical, individual-universal dialectic that has long been the hallmark of the realist novel. Following Ian Baucom, this chapter looks to Walter Benjamin’s conceptualisation of history for clues to a new form of literary realism. For Benjamin, a true understanding of history demands the recognition of the 'image' of history, a recognition occurring in a moment of 'arrest' or stoppage in the flow of time and of thought. This chapter speculates on the emergence in the Anthropocene of a literary realism that performs just such an arrest, taking its reader beyond conventional understandings of (human) history and time.
人类世的气候和历史:现实主义叙事和时间框架
最近,历史学家和其他学者呼吁对人类世的历史有新的理解,这一章由此产生。它问的是,这对文学现实主义意味着什么,因为它是对时间流逝的描述。人类世的历史使得长期以来作为现实主义小说标志的人类历史、个人-普遍辩证法显得多余。继伊恩·鲍康之后,本章着眼于瓦尔特·本雅明对历史的概念化,以寻找一种新形式的文学现实主义的线索。对本雅明来说,对历史的真正理解需要对历史的“形象”的认识,这种认识发生在时间和思想流动的“停滞”或停止的时刻。这一章推测在人类世出现了一种文学现实主义,这种现实主义正是这样一种禁锢,使读者超越了对(人类)历史和时间的传统理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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