Black Art: An Aesthetic Transformation for Freedom and Justice

Lekha Nath Dhakal
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Abstract

This paper attempts to explore African Americans’ world view and its roots in Black Aesthetics. It also reveals that Black art is an aesthetic transformation of African Americans for freedom and an expectation of a higher level of life. Supporters of Black Aesthetics appealed to black artists to establish a new standard of judgment and beauty based on African myths, spirituality, belief systems and music in opposition to Western aesthetic. However, the Black Aesthetics had its origins in those first artistic resonances of black slaves in the form of spirituals, coded singing and signifying, and later in writings. Black aesthetic theory in the United States traces its origin to the literature of slavery and freedom. The slave narratives depict African-Americans’ artistic and academic labors to show their humanity and critical moments in the development of Black aesthetics. Writing about their own communities in order to establish a sense of self-worth and claiming their identities as African Americans are crucial elements in the works of many Black writers.
黑色艺术:追求自由与正义的美学转型
本文试图探讨美国黑人的世界观及其在黑人美学中的根源。同时也揭示了黑人艺术是非裔美国人对自由的审美转化,是对更高生活层次的期待。黑人美学的支持者呼吁黑人艺术家以非洲神话、灵性、信仰体系和音乐为基础,建立一种新的判断和美的标准,以反对西方美学。然而,黑人美学起源于黑人奴隶的第一次艺术共鸣,以灵歌的形式,编码歌唱和象征,后来在写作中。美国黑人美学理论的起源可以追溯到奴隶制和自由文学。奴隶叙事通过对非裔美国人的艺术和学术努力的描述,展现了他们的人性和黑人美学发展的关键时刻。写他们自己的社区,以建立自我价值感,并主张他们作为非裔美国人的身份,这是许多黑人作家作品中的关键因素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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