Composition

P. Sokolsky, Gordon Thomson
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Abstract

Course Description RWS 6319 will introduce you to the field of composition studies as well as to the larger disciplinary domain of rhetoric and writing studies that simultaneously emerged. The goal is to familiarize you with the evolution of some of the field’s key conversations and provide you with a disciplinary framework to ground your scholarly contributions to these conversations. The course is organized primarily across topics or primary issues that have dominated scholarly conversations from the mid-’60s to the present, noting the ways they have been imagined, complicated, and reimagined. In our readings, we will strive to understand the writer’s position and arguments, along with how and where they’re contextualizing their work. The course will survey theoretical approaches to writing and the questions raised by those theories. It will also consider composition as a situated and relational practice. In part, our goal will be to understand the act of writing itself—how it takes place, what effects it has on people, and how it functions within culture. Questions stemming from our discussions will direct us to think deeply about our own positions as writers, students, teachers and workers, and as critical citizens. Our focus will be on the production of writing and on the conditions that surround the act of writing. Composition—also known as Writing Studies—is a field that concerns itself centrally—though not exclusively—with the teaching of writing. Therefore, much of what we read will concentrate on theorizing writing in classrooms and applying theory to classroom practices; however, we will also concentrate on the writing practices people employ in situations outside of the classroom. This course is focused more on theorizing writing as it is practiced than on understanding teaching practices. By the end of the course, you should have a clear idea of the concepts, contexts, and situations that shape the discipline; you should also consider your own positions in relation to composition theories and pedagogies. This semester, our focus will be on a few of the many contemporary conversations in the field, some that you will want to enter and may want to participate in during and beyond the scope of the class.
组成
课程简介 RWS 6319 将向您介绍作文研究领域以及同时出现的修辞和写作研究这一更大的学科领域。目的是让您熟悉该领域一些关键对话的演变过程,并为您提供一个学科框架,以便为这些对话做出学术贡献。本课程主要围绕从 20 世纪 60 年代中期至今主导学术对话的主题或主要问题展开,并注意到这些主题或问题被想象、复杂化和重新想象的方式。在阅读过程中,我们将努力理解作家的立场和论点,以及他们是如何和在哪里将其作品融入语境的。课程将探讨写作的理论方法以及这些理论提出的问题。课程还将把写作视为一种情景和关系实践。在某种程度上,我们的目标是理解写作行为本身--它是如何进行的,对人们产生了什么影响,以及它在文化中是如何发挥作用的。讨论中提出的问题将引导我们深入思考自己作为作家、学生、教师和工人以及批判性公民的立场。我们将重点关注写作的产生以及围绕写作行为的条件。写作--又称写作研究--是一个以写作教学为中心的领域,但并非唯一。因此,我们阅读的大部分内容将集中于课堂写作理论化以及将理论应用于课堂实践;但是,我们也将集中于人们在课堂外的写作实践。与理解教学实践相比,本课程更注重写作实践的理论化。课程结束时,您应该对形成该学科的概念、背景和情况有一个清晰的认识;您还应该结合写作理论和教学法考虑自己的立场。本学期,我们的重点将放在该领域许多当代对话中的一些对话上,其中有些对话是你想进入的,也可能是你想在课程期间和课程之外参与的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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