Generative Music Workshop

T. Kaneko, Kazuhiro Jo
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引用次数: 2

Abstract

In this paper, we present our practice of Generative Music Workshop (2010-). This workshop is a series of events that reproduce past masterpieces of generative music. The aim of the workshop is historical re-examination of generative works to contribute to recent musical practices with mobile computing devices. We regard that the organization of sounds with environmental elements would be a significant for music application of mobile computer. With this view, this workshop reflects past experimental music/sound art works as one of the practices that is conscious of the relationship between generativity and environment. This paper depicts the diversity of the way to organize sounds in three works: Steve Reich's Pendulum music, Alvin Lucier's Music on a long thin wire, and Richard Lehman's Travelon Gamelon.
生成音乐工作坊
在本文中,我们展示了我们的生成音乐工作坊(2010-)的实践。这个工作坊是一系列重现过去生成音乐杰作的活动。工作坊的目的是对生成作品的历史重新审视,以促进最近的音乐实践与移动计算设备。我们认为声音与环境元素的组织对于移动计算机的音乐应用具有重要意义。在此背景下,本次工作坊将过去的实验音乐/声音艺术作品作为一种意识到生成性与环境关系的实践之一进行反思。本文描述了三部作品中声音组织方式的多样性:Steve Reich的《钟摆音乐》,Alvin Lucier的《细长线音乐》和Richard Lehman的《Travelon Gamelon》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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