{"title":"Instrumental Ambient Music and Musical Entertainment in Sri Lankan Tourism","authors":"Chinthaka Prageeth Meddegoda","doi":"10.30819/5319.16","DOIUrl":null,"url":null,"abstract":"\n This research explores how instrumental music has been used as ambient music in selected\npopular tourist places in Sri Lanka. The domain of the study is confined within the coastal areas\nin Western Province where tourism is active at present.\nThe places of catering, fast food, and various eateries and drinks have facilitated certain ambient\nmusic which is mostly chosen purposefully to attract and to entertain the guests. There must be\na certain joint feature of opinions among food entertainers on matching food taste with\ninstrumental music. The main purpose of this study is to explore how Sri Lankan food\nentertainers facilitate instrumental music to attract and to entertain their guests while consuming\nfood and other attractions.\nUnder the given circumstances of fading large scale tourist business, local business is still\nflourishing. The choice of entertainment might have been changed. Also, many online\npossibilities were created by using ambient music. All these current changes need to be\nconsidered while analysing collected material.\nThis short-term research is seeking answers to the following questions: How are tourist demands\nassessed? Who is involved in decision-making about the repertoire, presentation, and\narrangement? How is quality output controlled? Which kind of feedback from various\nparticipants (audience/ musicians/ organizers) may lead to corrections?\nThe main method is interviewing and surveying. The surveys have to be carefully created and\nthey have to include basic elements about formal and informal music education, peer behavior,\nand expectations of supervising companies or institutions.\n\n","PeriodicalId":167203,"journal":{"name":"Wie wir leben wollen. Kompendium zu Technikfolgen von Digitalisierung, Vernetzung und Künstlicher Intelligenz","volume":"44 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Wie wir leben wollen. Kompendium zu Technikfolgen von Digitalisierung, Vernetzung und Künstlicher Intelligenz","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30819/5319.16","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This research explores how instrumental music has been used as ambient music in selected
popular tourist places in Sri Lanka. The domain of the study is confined within the coastal areas
in Western Province where tourism is active at present.
The places of catering, fast food, and various eateries and drinks have facilitated certain ambient
music which is mostly chosen purposefully to attract and to entertain the guests. There must be
a certain joint feature of opinions among food entertainers on matching food taste with
instrumental music. The main purpose of this study is to explore how Sri Lankan food
entertainers facilitate instrumental music to attract and to entertain their guests while consuming
food and other attractions.
Under the given circumstances of fading large scale tourist business, local business is still
flourishing. The choice of entertainment might have been changed. Also, many online
possibilities were created by using ambient music. All these current changes need to be
considered while analysing collected material.
This short-term research is seeking answers to the following questions: How are tourist demands
assessed? Who is involved in decision-making about the repertoire, presentation, and
arrangement? How is quality output controlled? Which kind of feedback from various
participants (audience/ musicians/ organizers) may lead to corrections?
The main method is interviewing and surveying. The surveys have to be carefully created and
they have to include basic elements about formal and informal music education, peer behavior,
and expectations of supervising companies or institutions.