Beyond national style : the innovative thinking and designs of the architect Ion Mincu (1852–1912)

C. Minea
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Abstract

This article offers a critical reading of the works and thinking of the celebrated Romanian architect Ion Mincu (1852–1912) in relation to the broader cultural and political context of the new nation-state. It investigates the literature on him up until the present day to trace the formation of his image as 'creator' of the Romanian (also known as Neo-Romanian or National) architectural style before presenting Mincu's range of artistic interests, innovative ideas and designs. Even if famous in Romania, Mincu is little-known for an English-language audience and partly to blame is precisely his fame as national architect which has made him a central figure only in histories of Romanian art and architecture. However, the article shows that Mincu harboured a diverse range of artistic ideas and interests, not all related to Romanian national ideology. His understanding of the relation between local building traditions and contemporary architecture was multi-faceted and driven by attempts to reconcile ideas about artistic progress and modernity with those about traditions and cultural identity. Therefore, the article move beyond the connection between his work and ideas about national identity in order to discern his many artistic concerns and his complex relation to the Romanian architectural heritage.
超越民族风格:建筑师Ion Mincu(1852-1912)的创新思维与设计
本文对罗马尼亚著名建筑师Ion Mincu(1852-1912)的作品和思想进行了批判性解读,并将其与新民族国家更广泛的文化和政治背景联系起来。它调查了关于他的文献,直到今天,在展示明库的艺术兴趣、创新思想和设计之前,追踪他作为罗马尼亚(也被称为新罗马尼亚或国家)建筑风格的“创造者”形象的形成。尽管明库在罗马尼亚很有名,但他在英语国家的观众中却鲜为人知,这在一定程度上要归咎于他作为国家建筑师的名声,这使他成为罗马尼亚艺术史和建筑史上的核心人物。然而,这篇文章表明,明库有着多种多样的艺术思想和兴趣,并不都与罗马尼亚的民族意识形态有关。他对当地建筑传统和当代建筑之间关系的理解是多方面的,并试图将艺术进步和现代性与传统和文化认同相协调。因此,本文超越了他的作品与民族认同之间的联系,以辨别他的许多艺术关注点以及他与罗马尼亚建筑遗产的复杂关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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