{"title":"Juliusz Kaden-Bandrowski about Music, Work and Writing – a Writer at the Piano","authors":"Elżbieta Wróbel","doi":"10.16926/EM.2020.15.06","DOIUrl":null,"url":null,"abstract":"The paper recalls the figure of the leading writer of the Second Polish Republic, Juliusz Kaden-Bandrowski. Alluding to his biography and his acquired musical education in his youth, it makes the point that this influenced his artistic attitude. The center of analysis is Kaden-Bandrowski’s article devoted to Aleksander Michałowski, an excellent pianist in the turn of the nineteenth and twentieth centuries. The main thesis of the article is Kanden-Bandrowski’s great respect for Michałowski’s work and creative effort, which he partially owed to his early musical education. The author also references to Kaden-Bandrowski’s critical texts from the beginning of his literary career as well as his association with the Fryderyk Chopin International Piano Competition; which began in 1927 in Warsaw. Kaden-Bandrowski was a member of the organizing committee for the first competition.","PeriodicalId":423473,"journal":{"name":"Edukacja Muzyczna","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Edukacja Muzyczna","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16926/EM.2020.15.06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The paper recalls the figure of the leading writer of the Second Polish Republic, Juliusz Kaden-Bandrowski. Alluding to his biography and his acquired musical education in his youth, it makes the point that this influenced his artistic attitude. The center of analysis is Kaden-Bandrowski’s article devoted to Aleksander Michałowski, an excellent pianist in the turn of the nineteenth and twentieth centuries. The main thesis of the article is Kanden-Bandrowski’s great respect for Michałowski’s work and creative effort, which he partially owed to his early musical education. The author also references to Kaden-Bandrowski’s critical texts from the beginning of his literary career as well as his association with the Fryderyk Chopin International Piano Competition; which began in 1927 in Warsaw. Kaden-Bandrowski was a member of the organizing committee for the first competition.