The Poem “Flowers” by P. A. Vyazemsky as an Evidence of Franco-Russian Literary and Cultural Relations

Maria R. Nenarokova
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Abstract

The article focuses on a little-known poem “Flowers” by P. A. Vyazemsky. The history of the poem, its genre and content are under consideration. The works of French light poetry belonging to the subgenre “bouquet poem” and written in the period from 1803 to 1822 were taken as material for comparison. The research relevance lies in the need to consider the interaction of two phenomena of French culture, light poetry and the language of flowers, and their adaptation by Russian culture. The novelty of the research lies in highlighting the subgenre of light poetry “bouquet poem”, in considering the circumstances of creation of the poem “Flowers” and in studying the list of plants mentioned by Vyazemsky in this poem from the point of view of the language of flowers. The study showed that the poem “Flowers” could be written as a poetic tribute to the memory of the playwright Ozerov. It testifies to the strong influence of French literature on Vyazemsky’s work. In terms of structure, composition and set of loci communes, it fully meets the requirements for a “bouquet poem”. Vyazemsky was familiar with all the European traditions of the language of flowers, while he himself created new meanings for some of the plants mentioned in the poem.
维泽姆斯基诗歌《花》:法俄文学文化关系的佐证
这篇文章关注的是p.a.维亚泽姆斯基一首鲜为人知的诗《花》。这首诗的历史、体裁和内容都在考虑之中。本文以1803年至1822年间创作的法国轻诗“花束诗”亚体裁的作品作为比较材料。研究的相关性在于需要考虑法国文化中轻诗和花语这两种现象的相互作用,以及它们在俄罗斯文化中的适应。本研究的新颖之处在于突出轻诗的亚体裁“花束诗”,从花的语言角度考虑《花》这首诗的创作环境,研究维亚泽姆斯基在这首诗中提到的植物列表。研究表明,《花》这首诗可以作为对剧作家奥泽罗夫的诗意致敬。这证明了法国文学对维亚泽姆斯基作品的巨大影响。从结构、构图、小区的设置上,完全符合“花束诗”的要求。维亚泽姆斯基熟悉所有欧洲传统的花的语言,而他自己为诗中提到的一些植物创造了新的含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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