Life-like communication agent-emotion sensing character "MIC" and feeling session character "MUSE"

N. Tosa, R. Nakatsu
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引用次数: 86

Abstract

Why do people, regardless of age or gender, have an affinity for objects manifested in the human form? From the earthen figures of ancient times to mechanical dolls, teddy bears and robots, is it not true that man has conceived such objects in his imagination, then formed attachments and transferred emotions to them? In this paper, we address the issues of communication and esthetics of artificial life that possess this "human form" in modern society, both from artistic and engineering standpoints. An example is presented in which emotions are interpreted from human voices and emotional responses are triggered within the interactive setting of "MIC & MUSE". MIC is a cute male child who is an emotion communication character. MUSE is a goddess; she has the capability of musical communication.
栩栩如生的交流主体——情感感知角色“MIC”和情感会话角色“MUSE”
为什么人们,无论年龄或性别,都对以人类形式表现出来的物体有一种亲和力?从古代的土人,到机械娃娃、泰迪熊、机器人,难道不是人类在想象中构想出了这些物体,然后形成了依恋,并将情感传递给它们吗?在本文中,我们从艺术和工程的角度探讨了现代社会中具有这种“人类形态”的人造生命的传播和美学问题。在“MIC & MUSE”的交互设置中,通过对人的声音进行情感解读,触发情绪反应。MIC是一个可爱的男孩,是一个情感交流的角色。MUSE是女神;她有音乐交流的能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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