{"title":"Sensory Vibrations and Social Reform at\n San Michele a Ripa in Rome","authors":"Kimberley Skelton","doi":"10.5117/9789463725811_CH04","DOIUrl":null,"url":null,"abstract":"From the mid-seventeenth century, philosophical arguments about human\n responses to the physical environment challenged a basic tenet of prison design\n and administration: that prisoners could use reason to apply religious instruction\n towards reconsidering their criminal ways. Mechanistic philosophers asserted that\n humans reacted physically and psychologically on impulse to neural vibrations\n that were produced by sensory stimuli in their environment and that traversed\n their bodies and brains. Correspondingly, prison designers and administrators\n recrafted prisons into reform environments that used sensory cues to choreograph\n human physical and psychological processes and, in turn, reshape social behavior.\n This essay examines the early stages of such new prison design by turning to\n Rome, especially Carlo Fontana’s Casa di Correzione for juvenile delinquents.","PeriodicalId":228448,"journal":{"name":"Early Modern Spaces in Motion","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Early Modern Spaces in Motion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789463725811_CH04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
From the mid-seventeenth century, philosophical arguments about human
responses to the physical environment challenged a basic tenet of prison design
and administration: that prisoners could use reason to apply religious instruction
towards reconsidering their criminal ways. Mechanistic philosophers asserted that
humans reacted physically and psychologically on impulse to neural vibrations
that were produced by sensory stimuli in their environment and that traversed
their bodies and brains. Correspondingly, prison designers and administrators
recrafted prisons into reform environments that used sensory cues to choreograph
human physical and psychological processes and, in turn, reshape social behavior.
This essay examines the early stages of such new prison design by turning to
Rome, especially Carlo Fontana’s Casa di Correzione for juvenile delinquents.
从17世纪中期开始,关于人类对自然环境的反应的哲学争论挑战了监狱设计和管理的基本原则:囚犯可以用理性来应用宗教指导来重新考虑他们的犯罪方式。机械论哲学家断言,人类在生理上和心理上对神经振动的冲动作出反应,这些振动是由环境中的感官刺激产生的,并穿过他们的身体和大脑。相应地,监狱设计师和管理者将监狱改造成改造环境,利用感官线索编排人类的生理和心理过程,进而重塑社会行为。本文以罗马为例,考察了这种新型监狱设计的早期阶段,尤其是卡洛·丰塔纳为少年犯设计的Casa di Correzione。