Whose Story Is It?

Geoffrey Fisher
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引用次数: 0

Abstract

At the age of six, I was writing fiction about a willy-wagtail, whose best friend was an ant. (Even then I had a good grasp on relationships!) Several years later, I had moved to human protagonists—mainly young girls living in boarding schools and excelling at ballet. I had no experience of either boarding school or ballet but I had my dreams. By adolescence, I was writing fiction about homelessness and drug addiction—once again, from vicarious experience. And then I went to uni to do a literature degree and realised that great Australian novelists were serious, learned and (then) mostly male. I still wanted to write my novel, but I decided I had to live a bit first.
这是谁的故事?
六岁时,我正在写一部关于一只摇尾鼠的小说,它最好的朋友是一只蚂蚁。(即使在那个时候,我对人际关系也有很好的把握!)几年后,我转向了人类主角——主要是住在寄宿学校、擅长芭蕾的年轻女孩。我既没有寄宿学校的经历,也没有芭蕾舞的经历,但我有我的梦想。到了青春期,我开始写关于无家可归和吸毒成瘾的小说——同样是基于间接经历。然后我去大学攻读文学学位,意识到伟大的澳大利亚小说家都是严肃、博学的,而且(当时)大多是男性。我仍然想写我的小说,但我决定我必须先过一段生活。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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