{"title":"The Politics of Jewish Primitivism","authors":"S. Spinner","doi":"10.11126/stanford/9781503628274.003.0005","DOIUrl":null,"url":null,"abstract":"Chapter 4 explores the politics of Jewish primitivism, which ranged from the bohemian Left to the radical Right. This political breadth is evident in the poetic relationship between the German poet Else Lasker-Schüler and the Yiddish and Hebrew poet Uri Zvi Grinberg, the former ambivalent about Zionism, the latter a proponent of Zionism’s most radical wing. The idea of an originary Jewish identity rooted in an ancient but unspecified East was central to Lasker-Schüler’s poetry and visual art. Emerging from this landscape was her “Society of Savage Jews,” a utopian community of writers and artists that existed only in her writings and artwork; Grinberg borrowed this trope and used it for very different ends—his savage Jews were Zionist pioneers, creating a nation-state.","PeriodicalId":305714,"journal":{"name":"Jewish Primitivism","volume":"37 1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jewish Primitivism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.11126/stanford/9781503628274.003.0005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Chapter 4 explores the politics of Jewish primitivism, which ranged from the bohemian Left to the radical Right. This political breadth is evident in the poetic relationship between the German poet Else Lasker-Schüler and the Yiddish and Hebrew poet Uri Zvi Grinberg, the former ambivalent about Zionism, the latter a proponent of Zionism’s most radical wing. The idea of an originary Jewish identity rooted in an ancient but unspecified East was central to Lasker-Schüler’s poetry and visual art. Emerging from this landscape was her “Society of Savage Jews,” a utopian community of writers and artists that existed only in her writings and artwork; Grinberg borrowed this trope and used it for very different ends—his savage Jews were Zionist pioneers, creating a nation-state.
第四章探讨了犹太原始主义的政治,从波希米亚的左派到激进的右派。这种政治广度在德国诗人埃尔斯·拉斯克-施勒与意第绪语和希伯来语诗人乌里·兹维·格林伯格之间的诗歌关系中表现得很明显,前者对犹太复国主义持矛盾态度,后者是犹太复国主义最激进派别的支持者。原初的犹太人身份根植于一个古老但不明确的东方,这种想法是拉斯克-施勒诗歌和视觉艺术的核心。她的“野蛮犹太人协会”(Society of Savage Jews)就是在这种背景下诞生的,这是一个乌托邦式的作家和艺术家社区,只存在于她的作品和艺术作品中;格林伯格借用了这一比喻,并将其用于截然不同的目的——他笔下的野蛮犹太人是犹太复国主义的先驱,创造了一个民族国家。