Revolutionizing Sentiment

Maria A. Windell
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Abstract

In Chapter 5, sentimentalism becomes event-oriented as possibilities for revolt resonate throughout the Caribbean and the United States. Questions of violence, hemispheric politics, and community collide in narratives of slave resistance, including Frederick Douglass’s The Heroic Slave (1853), Victor Séjour’s “The Mulatto” (1837), Cuban author Gertrudis Gómez de Avellaneda’s Sab (1841), and Martin R. Delany’s Blake (1859–62). Each text engages the racial, gendered, and economic exploitations of slavery while contemplating sentiment’s role in organized acts of slave violence; together these fictions highlight transamerican structures of enslavement and racialization that complicate US racial discourses. The chapter culminates in a discussion of Blake’s construction of a militarized affective abolitionism, which builds on prior nineteenth-century fictions’ challenges to slavery and racism. As the novel insists upon a sentimentalism that works at the level of “the people,” it makes sentiment revolution-ready.
革命性的情绪
在第五章中,随着反抗的可能性在整个加勒比海和美国产生共鸣,感伤主义变得以事件为导向。暴力、半球政治和社区问题在奴隶反抗的叙述中相互碰撞,包括弗雷德里克·道格拉斯的《英雄奴隶》(1853年)、维克多·萨默约尔的《黑白混血儿》(1837年)、古巴作家格特鲁迪斯·Gómez德·阿维利亚内达的《萨布》(1841年)和马丁·r·德拉尼的《布莱克》(1859-62年)。每个文本都涉及种族,性别和奴隶制的经济剥削,同时考虑情感在有组织的奴隶暴力行为中的作用;这些小说共同突出了奴役和种族化的跨美洲结构,使美国的种族话语复杂化。本章最后讨论了布莱克对军事化的情感废奴主义的建构,这种建构建立在19世纪之前的小说对奴隶制和种族主义的挑战之上。由于小说坚持在“人民”的层面上发挥感伤作用,它使情感革命做好了准备。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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