{"title":"Archetypes of Comedy","authors":"W. Costanzo","doi":"10.1093/oso/9780190924997.003.0004","DOIUrl":null,"url":null,"abstract":"Who are the people we laugh at or with in movie comedies? What kinds of individuals are the most frequent targets or perpetrators of cinematic mirth? Chapter 3 focuses on three of the world’s most popular figures of fun—the clown, the trickster, and the comic duo—revealing through the movies how these comic archetypes cross national boundaries by adopting local customs and traditions. Among the world’s most famous cinematic clowns are Britain’s Charlie Chaplin, America’s Lucille Ball, France’s Fernandel, Italy’s Roberto Benigni, and China’s Jackie Chan. The modern-day mischief of trickster figures like Denmark’s Lars von Trier and Hong Kong’s Stephen Chow can be traced back to the pranks of the Old Norse god Loki, to the wily animal heroes of Africa’s oral tradition, and to Japan’s spiritual folklore. The odd-couple comedy of Laurel and Hardy has its counterparts in Argentina’s Olmedo and Porcel and Taiwan’s Brother Wang and Brother Liu.","PeriodicalId":337804,"journal":{"name":"When the World Laughs","volume":"76 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"When the World Laughs","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190924997.003.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Who are the people we laugh at or with in movie comedies? What kinds of individuals are the most frequent targets or perpetrators of cinematic mirth? Chapter 3 focuses on three of the world’s most popular figures of fun—the clown, the trickster, and the comic duo—revealing through the movies how these comic archetypes cross national boundaries by adopting local customs and traditions. Among the world’s most famous cinematic clowns are Britain’s Charlie Chaplin, America’s Lucille Ball, France’s Fernandel, Italy’s Roberto Benigni, and China’s Jackie Chan. The modern-day mischief of trickster figures like Denmark’s Lars von Trier and Hong Kong’s Stephen Chow can be traced back to the pranks of the Old Norse god Loki, to the wily animal heroes of Africa’s oral tradition, and to Japan’s spiritual folklore. The odd-couple comedy of Laurel and Hardy has its counterparts in Argentina’s Olmedo and Porcel and Taiwan’s Brother Wang and Brother Liu.
我们在电影喜剧中嘲笑或与之一起笑的人是谁?什么样的人是电影欢笑最常见的目标或肇事者?第三章重点介绍了世界上最流行的三个搞笑人物——小丑、骗子和喜剧双人舞,并通过电影揭示了这些喜剧原型是如何通过接受当地的习俗和传统而跨越国界的。世界上最著名的电影小丑包括英国的查理·卓别林、美国的露西尔·鲍尔、法国的费南德尔、意大利的罗伯托·贝尼尼和中国的成龙。丹麦的拉斯·冯·提尔(Lars von Trier)和香港的周星驰(Stephen Chow)等现代恶作剧人物的恶作剧可以追溯到古挪威神洛基(Loki)的恶作剧,非洲口述传统中狡猾的动物英雄,以及日本的精神民间传说。《劳蕾尔和哈代》这对奇怪的情侣喜剧在阿根廷的《奥尔梅多和波塞尔》以及台湾的《王哥和刘哥》中都有类似的喜剧。