Dorothea Tanning: Erotic and Dark Aesthetics

Nadia Hamimed
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Abstract

Inspired by the greatly stimulating psycho-dramas of gothic and erotic fiction and the revolutionary potential of Surrealism, Dorothea Tanning renovates images which aim to go into the nature of feminine (and infancy) sensual and corporal experience, falling down the frontier between the real world and imagination pro a smooth inventive world wherein all odds can imaginably exist. The most famous work of Tanning art is perhaps the one from the 1940s where the artist utilizes a specific vivid approach to represent eroticism. Nevertheless, in deviating from this method to a further theoretical way, the woman artist scatters her wish to depict the gothic just as she was illustrating a gothic tale, to remind the gothic appreciation of difference and disintegration via pensiveness. An erotic charge throbs throughout Tanning’s work; youthful girls’ clothes seem ragged and hair tackled a lavish life of its own as the boundary between inexperience and knowledge becomes blurred. A power rises above the specifically erotic and turns out to be a more broad desire to live in any of its demonstrations.
多萝西娅·坦宁:情色与黑暗美学
受到哥特和色情小说的极大刺激的心理剧和超现实主义的革命潜力的启发,多萝西娅·坦宁更新了旨在进入女性(和婴儿)感官和肉体体验的本质的图像,在现实世界和想象之间的边界下降,在这个世界上,所有的可能性都可以想象存在。坦宁艺术最著名的作品可能是20世纪40年代的一件作品,艺术家利用一种特定的生动的方法来表现色情。然而,在偏离这种方法的过程中,这位女艺术家将她描绘哥特的愿望分散开来,就像她在描绘一个哥特故事一样,通过沉思来提醒哥特人对差异和解体的欣赏。在坦宁的作品中,充满了色情的悸动;年轻女孩的衣服似乎破旧不堪,头发也开始过着自己的奢华生活,因为缺乏经验和知识之间的界限变得模糊了。一种力量超越了特定的情爱,变成了一种更广泛的欲望,在它的任何表现中生活。
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