The Coptic Theme

Christina Phillips
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Abstract

This chapter explores literary engagements with Coptic Christianity in works by Baha’ Tahir, Idwar al-Kharrat, Salwa Bakr and Yusuf Zaydan. It explores Baha’ Tahir’s Khalati Safiyya wa’l-Dayr (1991) as a complex allegory of religious tolerance and reads Idwar al-Kharrat’s Turabuha Zaʿfaran (1986) as an example of Deleuze and Guattari’s concept of minor discourse whilst paying attention to Christian scriptural reference and themes of religious tolerance and Coptic identity. It then examines how Salwa Bakr’s Al-Bashmuri (1998) and Yusuf Zaydan’s ‘Azazil (2008) rewrite history from a Coptic perspective in order to redress the historical marginalisation of Egypt’s Christians and to destabilise certain myths of history and nation. Religious tolerance, religious violence and religious criticism as represented in these works are also examined.
科普特主题
本章探讨了巴哈·塔希尔、伊德瓦尔·哈拉特、萨尔瓦·巴克尔和优素福·扎伊丹的作品中与科普特基督教的文学接触。它将Baha ' Tahir的《Khalati Safiyya wa ' l- dayr》(1991)视为宗教宽容的复杂寓言,并将Idwar al-Kharrat的《Turabuha Za - faran》(1986)视为德勒兹和瓜塔里的次要话语概念的一个例子,同时关注基督教圣经参考和宗教宽容和科普特身份的主题。然后,它考察了Salwa Bakr的Al-Bashmuri(1998)和Yusuf Zaydan的Azazil(2008)如何从科普特人的角度重写历史,以纠正埃及基督徒的历史边缘化,并打破某些历史和国家的神话。这些作品所代表的宗教宽容、宗教暴力和宗教批评也被审查。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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