Embodiment of Transformation from Scholasticism to Worldliness: Geoffrey Chaucer's the Canterbury Tales

Tarik Ziyad Gulcu
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Abstract

Although the medieval period is well-known for its otherworldly scholastic view of life, people’s gradual prioritization of material interests is arguably an embodiment of a transformation from scholastic to anthropocentric outlook on life and people. Along with common people’s interest in material gains, the ecclesiastical people’s interest in luxury and ostentation as well as acquisition of material profit are representations of the new paradigm in social area. The growing interest in worldly profits among the clergy and their indulgence in ostentation is the particular point of satire in Geoffrey Chaucer’s The Canterbury Tales. In this work, while Chaucer reflects the traits of an ideal person in the knight’s description in “General Prologue”, he deals with clerical corruption in “Reeve’s Tale”, the monk, the nun and the summoner’s depictions in “General Prologue”. While criticising the problematic aspects of the ecclesiastical class in medieval context, Chaucer transgresses the borders of his period and favours the expression of female individuality in “Wife of Bath’s Tale”. Hence, The Canterbury Tales invites reading in relation to Chaucer’s anxieties concerning medieval view of life and his position as a pioneer of a new anthropocentric social paradigm in literary context.
从经院哲学到世俗化的转化:乔叟的《坎特伯雷故事集》
尽管中世纪以超凡脱俗的经院人生观而闻名,但人们对物质利益的逐渐优先考虑,可以说是人生观和人情观从经院人生观向人类中心观转变的体现。与普通人对物质利益的兴趣一样,教会人士对奢侈、炫耀和物质利益获取的兴趣是社会领域新范式的代表。神职人员对世俗利益的日益增长的兴趣和他们对炫耀的放纵是杰弗里·乔叟《坎特伯雷故事集》讽刺的特别之处。在这部作品中,乔叟在《总序》中对骑士的描写中体现了一个理想人物的特质,在《里夫的故事》中处理了神职人员的腐败,在《总序》中处理了僧侣、修女和召唤师的描写。在批判中世纪背景下教会阶级的问题的同时,乔叟在《巴斯的妻子的故事》中超越了他所处时代的界限,倾向于表达女性的个性。因此,《坎特伯雷故事集》让读者联想到乔叟对中世纪人生观的焦虑,以及他作为文学语境中以人类为中心的新社会范式先驱的地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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