Four

Bruno Maçães
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Abstract

This chapter assesses whether America deserves to be placed alongside those Asian societies which, for all their progress, remain more or less shackled by tradition. The United States has been for more than a hundred years the very image of modernity. In the postwar decades, it appealed to European intellectuals such as Sartre on account of its deracinated life. The music, the literature, the architecture of those years were an extravaganza of countercultural passion, breaking with every convention. If people now feel that Americans are after all too conventional, there is reason to suspect that something else is happening and that their love affair with religion, guns, and the death penalty is to be explained from sources other than the persistence of traditional structures. The chapter offers an alternative explanation, looking in turn at these three peculiarities of American culture. It also considers an element of contemporary American life where differences with an older European sensibility seem clear enough: political correctness. Ultimately, one can see that a distinctive mark cuts across American experience as a whole, becoming more visible in those areas where it breaks away from its European past. One may call it the marker of a new civilization.
四个
本章评估了美国是否应该与那些取得进步但或多或少仍受传统束缚的亚洲社会并列。一百多年来,美国一直是现代化的典型代表。在战后的几十年里,它吸引了像萨特这样的欧洲知识分子,因为它的生活被剥夺了。那几年的音乐、文学、建筑都是反文化激情的狂欢,打破了一切传统。如果人们现在觉得美国人毕竟太传统了,那就有理由怀疑发生了别的事情,他们对宗教、枪支和死刑的热爱应该从传统结构的延续之外的其他原因来解释。本章提供了另一种解释,依次考察了美国文化的这三个特点。它还考虑了当代美国人生活中的一个因素,即政治正确,而这一点与较老的欧洲人的情感差异似乎足够明显。最终,人们可以看到,一个独特的印记贯穿了整个美国的经历,在那些与欧洲过去决裂的地区变得更加明显。人们可以称之为新文明的标志。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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