{"title":"The Challenges Ahead","authors":"R. Bharucha","doi":"10.1093/OSO/9780197552506.003.0016","DOIUrl":null,"url":null,"abstract":"The concluding chapter focuses on the challenges that lie ahead in researching the multiple dynamics and contexts of performance in the Ramayana tradition. It highlights the need to prioritize the vocal and acoustic dimensions of Ramayana performance which tend to be undermined by the priority given to the visual aspects of movement, gesture, and spectacle. At an interpretive level, the essay calls attention to the ways in which specific codes and conventions of a particular performance tradition can be altered through individual performative choices. Calling attention to the challenge of translating the nuances of context-specific performance categories from different Indian languages, the chapter also highlights the need to research Ramayana performances as a means of livelihood for subaltern performers. The essay concludes by reflecting on the challenges posed by the political culture of the Hindu Right, which tends to oppose a pluralist affirmation of diverse renderings of the Ramayana narrative.","PeriodicalId":346774,"journal":{"name":"Performing the Ramayana Tradition","volume":"120 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Performing the Ramayana Tradition","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780197552506.003.0016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The concluding chapter focuses on the challenges that lie ahead in researching the multiple dynamics and contexts of performance in the Ramayana tradition. It highlights the need to prioritize the vocal and acoustic dimensions of Ramayana performance which tend to be undermined by the priority given to the visual aspects of movement, gesture, and spectacle. At an interpretive level, the essay calls attention to the ways in which specific codes and conventions of a particular performance tradition can be altered through individual performative choices. Calling attention to the challenge of translating the nuances of context-specific performance categories from different Indian languages, the chapter also highlights the need to research Ramayana performances as a means of livelihood for subaltern performers. The essay concludes by reflecting on the challenges posed by the political culture of the Hindu Right, which tends to oppose a pluralist affirmation of diverse renderings of the Ramayana narrative.