The Observer Observed: Narrating Surveillance in Gertrud Kolmar's Susanna

Carola Daffner
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Abstract

Abstract:This article is an exploratory reading of Gertrud Kolmar's novella Susanna, which the poet wrote under extreme circumstances between 1939 and 1940 in a Judenhaus in Berlin. Kolmar's novella offers unique and invaluable insight into acts of surveillance at the end of the Weimar Republic. The novella demonstrates how German-Jewish women experienced the damaging effects of small-town gossip, neighborhood spying, and daily instances of social ostracism. On the narrative level, Nazi oppression does not come into play, although racist and antisemitic ideologies are shown to have entered the surrounding Jewish world. Embedded within the story of Susanna is a critical commentary on prejudice within the Jewish community directed against more traditional Jews. My analysis of the first-person narrator and her ward illuminates how both female characters use the act of storytelling as an important strategy of negotiation, which is otherwise impossible.
观察者观察:格特鲁德·科尔马的《苏珊娜》中的叙事监视
摘要:本文是对格特鲁德·科尔马的中篇小说《苏珊娜》的探索性解读,这是诗人在1939年至1940年期间在柏林犹太人集中营的极端环境下创作的。科尔马的中篇小说对魏玛共和国末期的监视行为提供了独特而宝贵的见解。这部中篇小说展示了德国犹太妇女如何经历小镇八卦、邻里间谍和日常社会排斥的破坏性影响。在叙事层面上,纳粹的压迫并没有发挥作用,尽管种族主义和反犹主义意识形态已经进入了周围的犹太世界。苏珊娜的故事中包含了对犹太社区中针对更传统的犹太人的偏见的批判性评论。我对第一人称叙述者和她的监护人的分析说明了这两个女性角色是如何将讲故事作为一种重要的谈判策略的,否则这是不可能的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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