American queeroes: coming-out narratives in the Captain America fandom

Sarah E. Beyvers, F. Zitzelsberger
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Abstract

ABSTRACT This article examines three Captain America fanfictions that imagine the eponymous hero’s cinematic representation as queer in an effort to gauge the impact of a queer Captain America on U.S. society and culture. At the same time, these texts scrutinise the public perception of heroes as agents of heteronormativity, as heterosexual subjects, and objects of a heterosexual gaze, through the incorporation of (social) media responses in their fictional microcosms. Moving beyond the reductive equation of heroic masculinity and heterosexuality, the analysed texts open up more inclusive discourses of desire, disclosure, and dissent by following the coming-out stories of their heroes. The virtual spaces of fandom are put into conversation with the closet, which renders private, and possibly queer, identities invisible, and coming out as an act of publicly (re)gaining agency and self-determinacy. The article offers a queer reading of one of Marvel’s most beloved characters by reassessing the Captain America films and laying bare the constructedness of hetero-heroism that structures and motivates the films’ narratives. American queeroes in fanfiction are thus not just fantasies – they constitute reactions to and efforts against the oppressive framework of heteronormativity which obscures and limits the potential queerness of characters in mass media representations.
美国同性恋:美国队长粉丝圈的出柜故事
本文考察了三部将美国队长想象成酷儿形象的美国队长小说,试图评估酷儿美国队长对美国社会和文化的影响。与此同时,这些文本通过将(社会)媒体反应纳入虚构的微观世界,审视了公众对英雄作为异性恋规范的代理人、异性恋主体和异性恋凝视对象的看法。超越了英雄气概和异性恋的简化方程式,分析的文本通过遵循他们的英雄出柜的故事,开辟了更包容的欲望,揭露和异议的话语。粉丝圈的虚拟空间被置于与衣橱的对话中,这使得私人的、可能是酷儿的身份变得不可见,并作为一种公开(重新)获得代理和自我决定的行为而出现。这篇文章通过重新评估美国队长系列电影,对漫威最受欢迎的角色之一进行了一种奇怪的解读,并揭示了构成和推动电影叙事的异性恋英雄主义的建构性。因此,同人小说中的美国酷儿不仅仅是幻想——他们构成了对异性恋规范的压迫框架的反应和反抗,异性恋规范模糊和限制了大众媒体表现中角色的潜在酷儿性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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