The Poster Artwork in the Art of the Palestinian Artist Marwan Al-Allan

Suhad Hamdan Humidan, M. Lamat
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Abstract

Aims: To propose an artistic analysis of the evolution of Palestinian poster art via the analysis of the artwork of the artist Marwan Al-Alan. The artist Marwan Al-Alaan witnessed the tragedy of Palestine and expressed it through his paintings and posters, and he followed the events that Palestine had witnessed through his creative art works in this field. Study Design: The study is a qualitative approach that used the descriptive analysis of literature and interview Place and Duration of Study: The study is a descriptive discussion of the artwork of the Palestinian Artist Marwan Al-Allan. An interview conducted with the artist in October 2017. Methodology: A non-structured interview was conducted with the desire artist to provide an insight of his work and its relation to the Palestinian cause. The author mainly contributes in choosing the proper artwork, which was analyzed for its artistic features and values. Results: It is clear how influenced the Palestinian artist Marwan Al-Alan with his relation to the Palestinian land and with everything that it is going through from events, and how his style, and contents of his works change according to the nature of his connection to the event. The artist's Mini-review Article Humidan and Lamat; ARJASS, 8(1): 1-9, 2019; Article no.ARJASS.45648 2 influence with non-Palestinian environment, and its effect of this on his beliefs when he is outside of his country and there are no events related to home like it used to be when the artist was in Jordan during the eighties. It is noted that there is a qualitative difference in the symbols of artistic artwork. Symbols are used during the outbreak of the revolution and armed struggle, but disappeared during the first Intifada (insurrection) and the rock replaced the rifle. In addition, national identity symbols such as Kuffiyeh (Arab head cover) and the map of Palestine were present in some of the paintings and designs. Conclusion: The symbolic indications of elements and the symbols used in the Palestinian graphic experience have contributed to preserving the identity of the Palestinian heritage, and transforming it to the outside world, though in difficulty, since the Palestinian artists lack the freedom to travel due to the Israeli occupation.
巴勒斯坦艺术家Marwan Al-Allan艺术中的海报艺术
目的:通过对艺术家Marwan Al-Alan作品的分析,对巴勒斯坦海报艺术的演变进行艺术分析。艺术家Marwan Al-Alaan目睹了巴勒斯坦的悲剧,并通过他的绘画和海报表达了这一悲剧,他通过他在这一领域的创造性艺术作品跟踪了巴勒斯坦所目睹的事件。研究设计:本研究采用定性方法,对文献和访谈进行描述性分析。研究地点和研究时间:本研究是对巴勒斯坦艺术家Marwan Al-Allan的艺术作品进行描述性讨论。2017年10月对艺术家的采访。方法:与愿望艺术家进行了一次非结构化访谈,以深入了解他的作品及其与巴勒斯坦事业的关系。作者主要在选择合适的艺术品方面做出了贡献,并对其艺术特征和价值进行了分析。结果:很明显,巴勒斯坦艺术家Marwan Al-Alan与巴勒斯坦土地的关系及其从事件中所经历的一切是如何受到影响的,他的风格和作品内容是如何根据他与事件的关系的性质而变化的。艺术家迷你评论文章《人与喇嘛》植物学报,8(1):1-9,2019;文章no.ARJASS。45648 2非巴勒斯坦环境的影响,当他在国外时,这对他的信仰产生了影响,没有与家园有关的事件,就像艺术家在80年代在约旦时那样。值得注意的是,艺术作品的符号有质的区别。在革命和武装斗争爆发期间使用了符号,但在第一次起义(起义)期间消失了,石头取代了步枪。此外,在一些绘画和设计中还出现了民族身份标志,如阿拉伯头巾和巴勒斯坦地图。结论:元素的象征性指示和巴勒斯坦图形经验中使用的符号有助于保持巴勒斯坦遗产的特性,并将其转化为外部世界,尽管困难重重,因为巴勒斯坦艺术家由于以色列占领而缺乏旅行的自由。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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