A Hunger Artist

Jeffrey N. Johnson
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引用次数: 7

Abstract

D u RING these last decades the interest in professional fasting has markedly diminished. It used to pay very well to stage such great performances under one's own management, but today that is quite impossible. We live in a different world now. At one time the whole town took a lively interest in the hunger artist; from day to day of his fast the excitement mounted; everybody . wanted to see him at least once a day; there were people who bought season tickets for the last few days and sat from morning till night in front of his small barred cage; even in the nighttime J there were visiting hours, when the whole effect was heightened by torch flares; on fine days the cage was set out in the open air, and then it was the children's special treat to see the hunger artist; for their elders he was often just a joke that happened to be in fashion, butthe children stood open;;outhed, holding each other's hands for greater security, marveling at him as he sat there pallid in black tights, with his ribs sticking out so prominently, not even on a seat but down among straw on the ground, sometimes giving a courteous nod, answering questions with a constrained smile, or perhaps stretching an arm through the bars so that one might feel how thin it was, and then again w ithdraWing deep into himself, paying no attention to anyone or anything, not even to the all-important striking of the clock that was the only piece of furni~ure in his cage, but merely staring into vacancy with half-shut eyes, now and then taking a sip from a tiny glass of water to moisten his lips. Besides casual onlookers there were also relays of permanent watchers selected by the public, usually butchers, strangely enough, and it was their task to watch the hunger artist day and night, three of them at a time, in case he should have some secret recourse to nourishment. T his was nothing but a formality, instituted to reassure the masses, for the initiates knew well enough that during his fast the artist would never in any circull)stances, not even under forcible compulsion, swallow the smallest morsel
饥饿艺术家
在过去的几十年里,人们对专业禁食的兴趣明显减弱了。过去,在自己的管理下举办这样伟大的演出是报酬很高的,但今天这是不可能的。我们现在生活在一个不同的世界。有一段时间,全镇的人都对这位饥饿艺术家产生了浓厚的兴趣;他禁食的日子一天比一天激动;每一个人。我想每天至少见他一次;有人买了前几天的季票,从早到晚坐在他的小栅栏笼子前;即使在夜间,也有探监的时间,这时火炬的火光更加强了整个效果;在晴朗的日子里,笼子被放在户外,然后孩子们就可以特别享受看饥饿艺术家的乐趣;长辈他常常只是一个笑话,碰巧在时尚,但是孩子站在开放;;嘴巴,牵着彼此的手更安全,惊叹在他苍白的坐在那里黑色的紧身衣,用他的肋骨突出突出,甚至没有一个座位,但低于在草在地上,有时给予礼貌的点头,回答问题与约束微笑,或者伸展手臂穿过酒吧,有人可能会觉得有多薄,然后他又深深沉浸在自己的世界里,对任何人、任何事都不注意,甚至对笼子里唯一一件家具——那只最重要的钟的敲门声也不注意,只是半闭着眼睛凝视着空空如也的地方,时不时地从一小杯水里啜一口,润润嘴唇。除了偶尔的旁观者,还有一些由公众选出的永久的旁观者,通常是屠夫,奇怪的是,他们的任务是日夜监视饥饿艺术家,每次三个人,以防他有什么秘密的食物来源。这不过是一种形式,是为了使群众放心而实行的,因为那些新修的人都很清楚,在他禁食的时候,这位艺术家决不会以任何圆圈的姿势,即使是在强制的情况下,也不会吞下哪怕是最小的一口
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