Love Letter to Decorator Crabs

Jianni Tien, Elizabeth Burmann
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Abstract

The ocean is a planetary force consisting of both surface and depth. The imaginary of the ocean is an interconnecting and interconnected force. The ocean, with its hypnotic lack of form, reminds us that who we are does not end at the skin. We bleed into our environments, and our environments bleed into us. The sea is both conceptually and materially entangled with us: we are on a transcorporeal continuum with the ocean. In this love letter, we turn toward the ocean as an ontological space of transformation and extend a dedication to our strange kin: decorator crabs. Decorator crabs are slow nocturnal scavengers. In an attempt to look “less-crab” or “more-than-crab”, they select materials, debris, and other living beings from their environment to adorn their shells, placing them over a velcro-like surface on their carapace: these crustaceans entangle themselves with their environment. In our viewing and interactions with them, we as human researchers similarly entangled ourselves amongst the crabs, all within the potent transformative fluid of the aquarium tank. We present our epistolary dedication to these critters as we conceptualise the aquarium as an alchemist’s pot of entanglements - a metonym for the ocean - to learn and become with the resident crustaceans. The letter is presented in video form here – A love letter to decorator crabs. Trigger warning: Please be advised that this piece contains descriptions of humans confining and eating other animals.
给装饰蟹的情书
海洋是一种由表面和深度组成的行星力。海洋的想象是一种相互联系、相互联系的力量。海洋,以其令人催眠的缺乏形式,提醒我们,我们是谁并不止于皮肤。我们向环境流血,环境也向我们流血。海洋在概念上和物质上都与我们纠缠在一起:我们与海洋处于一个超物质的连续体上。在这封情书中,我们把海洋作为一个转化的本体论空间,并向我们奇怪的亲戚——装饰蟹——献上一份奉献。装饰蟹是夜间缓慢的食腐动物。为了让自己看起来“不像螃蟹”或“比螃蟹更像螃蟹”,它们从环境中选择材料、碎片和其他生物来装饰它们的外壳,把它们放在像尼龙搭扣一样的甲壳表面上:这些甲壳类动物把自己和环境缠在一起。在我们的观察和与他们的互动中,我们作为人类研究人员同样将自己与螃蟹纠缠在一起,都在水族馆水箱中强大的转化流体中。我们向这些生物献上我们的书信体,因为我们将水族馆概念化为炼金术士的纠缠锅-海洋的转喻-学习并与居住的甲壳类动物成为一体。这封信以视频的形式呈现在这里——一封给装饰蟹的情书。触发警告:请注意,这篇文章包含了人类限制和食用其他动物的描述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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