Medium Specificity and the Ethics of Narrative in Comics

H. Pratt
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引用次数: 6

Abstract

One of Plato's enduring concerns was about the best mode of education. Unsurprisingly, he opts for phi losophy over poetry. In Book X of the Republic and several other dialogues, notably the Ion, Plato inveighs against mimetic poetry on grounds that include its on tological inferiority (qua imitation) and its pernicious effects on the development of the just person and the just state. To the contemporary mind, Plato may appear to be a crank or even an embarrassment. After all, the poetry he targets (Homer, for instance) is now considered to be among the greatest works of literature of all time. However, as Alexander Nehamas (1988) has persua sively argued, Plato's true concern is not with high lit erature or fine arts at all (since those concepts did not exist at his time), but with the ancient Greek equiva lent of contemporary mass-media narrative forms. At
媒介特异性与漫画叙事伦理
柏拉图长期关注的问题之一是最佳教育模式。不出所料,他选择了哲学而不是诗歌。在《理想国》第十卷和其他几段对话中,尤其是《Ion》中,柏拉图猛烈抨击模仿诗歌,理由包括其在逻辑上的劣势(模仿)以及它对正义的人和正义的国家发展的有害影响。在当代人看来,柏拉图可能是个怪人,甚至令人难堪。毕竟,他所瞄准的诗歌(例如荷马)现在被认为是有史以来最伟大的文学作品之一。然而,正如亚历山大·内哈玛斯(Alexander Nehamas, 1988)令人信服地论证的那样,柏拉图真正关心的根本不是高光文学或美术(因为这些概念在他的时代并不存在),而是古希腊当代大众媒体叙事形式的等同物。在
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